ОТРАЖЕНИЕ ТЕОРИИ АВТОРСКОГО КИНО НА КИНЕМАТОГРАФ КЫРГЫЗСТАНА на примере фильмов Актан Арым Кубата

Author(s):  
Айзада Алиева

На сегодняшний день в кино режиссер играет большую и важную роль. Условно авторов фильма разделяют на два типа: коммерческие и авторские режиссеры. Второй тип режиссеров это те, у которых есть свое видение, свой стиль и почерк в кино. В этой статье будут рассматриваться фильмы кыргызского режиссера Актана Арым Кубата в контексте теории авторского кино, а также отражение этой теории на кыргызский кинематограф. Теория авторского кино является эффективной на западе, но в нашем кыргызском кинематографе отсутствуют конкретные исследования на эту тему. Исходя из этого тема является актуальной и статья будет полезной для студентов, магистрантов. Режиссер бүгүнкү күндө кинодо чоң жана маанилүү ролду ойнойт. Фильмдин авторлору шарттуу түрдө эки түргө бөлүнөт: коммерциялык жана автордук режиссерлор. Экинчи түрдөгү режиссерлор - бул кинодогу өзүнүн көз карашы, өзүнө таандык стили бар адамдар. Бул макалада кыргыз режиссеру Актан Арым Кубаттын тасмалары автордук кино теориясынын контекстинде изилденет. Ошондой эле бул теориянын кыргыз киносунда чагылдырылышы каралат. Автор теориясы Батышта эффективдүү, бирок биздин кыргыз киносунда бул темада атайын изилдөө жокко эссе. Ушунун негизинде, тема актуалдуу жана макала студенттер, магистранттар үчүн пайдалуу болот. In cinema, the director is the most important figure. The film authors are conventionally divided into two types: commercial director and director of auteur films. The second type of directors are those who have their own vision, their own style in cinema. This article will examine the films of the Kyrgyz director Aktan Arym Kubat in the context of auteur cinema theory. In addition, the reflection of this theory on the Kyrgyz cinema. The theory of auteur cinema is effective in the West, but there is no specific research on this topic in our Kyrgyz cinema. Based on this, the topic is relevant and the article will be useful for students.

2018 ◽  
Vol 13 (1) ◽  
pp. 22-43 ◽  
Author(s):  
Kumi Kato ◽  
Ricardo Progano

Contemporary society understands spirituality as an individualized "quest of self-discovery and reflection" that combines eclectic elements, while disregarding traditional religious organizations. This social context has shaped how sacred sites are managed and promoted in tourism, as well as tourist motivation and behaviour. Still, the information on religious and spiritual-related tourism remains Euro-centric, although around half of an estimated 600 million religious and spiritual travels take place in Asia and the Pacific (UNWTO 2011). In order to contribute to studies on the area, the purpose of this article is to explore the intersection of spirituality and tourism in a non-Western pilgrimage site utilizing the three categories of Olsen (2015) to interpret and organize research materials in a coherent format. The Kumano Kodo pilgrimage trails in Japan were selected as case study. Results showed a variety of Japanese-specific research materials related to contemporary spirituality and tourism that still draw some parallels to the West. Following Olsen's categories, the case study showed mainly elements from spiritual tourism, with some from New Age tourism as well. Wellness was a particularly emphasized characteristic. Further research is suggested to develop Olsen's categorization and to deepen the study of non-Western tourism contexts of contemporary spirituality in different areas.


2021 ◽  
Vol 1 (1) ◽  
pp. 153-165
Author(s):  
David Desser

Abstract After a number of aborted attempts to secure distribution and exhibition in the West in the 1950s and 60s, producers of the Chinese cinema came to understand that film festival prizes, which had been the Japanese model, were not going to work for them. Instead, early attempts were made to break into the US market via an exhibition in New York. The commercial distribution of Hong Kong’s commercially-oriented martial arts movies in the 1970’s satisfied the long-standing desire of producer Run Run Shaw for success in the West, but hardly provided a similar opportunity for the more specialized auteur-cinema of the Mainland and Taiwan in the 1980s. Instead, the New York Film Festival emerged as the premier showcase for Fifth Generation Chinese filmmakers and the New Cinema of Taiwan, along with the Art cinema of Hong Kong’s Wong Kar-wai.


Author(s):  
O. Mudroch ◽  
J. R. Kramer

Approximately 60,000 tons per day of waste from taconite mining, tailing, are added to the west arm of Lake Superior at Silver Bay. Tailings contain nearly the same amount of quartz and amphibole asbestos, cummingtonite and actinolite in fibrous form. Cummingtonite fibres from 0.01μm in length have been found in the water supply for Minnesota municipalities.The purpose of the research work was to develop a method for asbestos fibre counts and identification in water and apply it for the enumeration of fibres in water samples collected(a) at various stations in Lake Superior at two depth: lm and at the bottom.(b) from various rivers in Lake Superior Drainage Basin.


1964 ◽  
Vol 2 (01) ◽  
pp. 6-12
Keyword(s):  
The West ◽  

In the West Nile District of Uganda lives a population of white rhino—those relies of a past age, cumbrous, gentle creatures despite their huge bulk—which estimates only 10 years ago, put at 500. But poachers live in the area, too, and official counts showed that white rhino were being reduced alarmingly. By 1959, they were believed to be diminished to 300.


2009 ◽  
Author(s):  
George Pinckard
Keyword(s):  

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