Martha Stewart: The Rise, Fall, and Comeback of a Brand

2019 ◽  
pp. 140-152
Keyword(s):  
2021 ◽  
Vol 32 (Sup3) ◽  
pp. S10-S13
Author(s):  
Martha Stewart

In this article Martha Stewart discusses how illness affects diabetes management and outlines the ‘sick-day advice’ that should be shared with people living with type 1 and type 2 diabetes Intercurrent illness can cause glucose levels to rise in people with diabetes mellitus. These illnesses include the common cold, diarrhoea and vomiting, urinary tract infections and COVID-19. If diabetes is not managed well during illness it can escalate and result in more serious conditions, such as diabetic ketoacidosis (DKA) and hyperosmolar hyperglycaemic state (HHS), which would require emergency hospital admission. This article discusses how illness affects diabetes management and outlines the ‘sick-day advice’ that should be shared with people living with type 1 and type 2 diabetes.


2021 ◽  
Vol 2021 (3) ◽  
pp. 33-35
Author(s):  
Martha Stewart

Martha Stewart discusses how illness affects diabetes management and outlines ‘sick-day advice’


2004 ◽  
Vol 23 (5) ◽  
pp. 61-64
Author(s):  
Deborah Winders Davis

Yesterday, I went out with my wife for some coffee. The cost was nearly ten dollars as we ordered one regular coffee, one tall mocha and two scones. (If you know what a “tall mocha” is, you too are spending anywhere from $1.35 for a regular coffee to $2.50 for a mocha [the cost of a tall mocha at my local coffee hangout is much less expensive than the cost of the exact same cup of coffee in a major city, an airport, or hotel].) If you buy a magazine when you are waiting in line at the grocery store, it will cost you three or four dollars (O: The Oprah Magazine costs $3.95 and Martha Stewart Living costs $4.75 for a single issue). If you drink one tall mocha a day and buy one magazine such as O, you will spend at least $21.45 per week or about $3.00 a day.


Ethnologies ◽  
2007 ◽  
Vol 28 (2) ◽  
pp. 53-80 ◽  
Author(s):  
Sidney Eve Matrix

This article examines the wedding gift registry as a newly invented tradition and part of the increasing commodification of everyday life and its rites of passage. The research involves both a deconstructive discursive analysis and a critique of the visual rhetoric in advertisements promoting registries for the newly engaged. To consider the cultural context within which marketing for wedding gift registries is proliferating, the author begins with the stories of two connected figures, both lifted from national newswires. Then she argues that the escalating trend of the wedding registry gains momentum because of its placement between these two conjoined images, namely: the spectre of the scandalous and hysterical “runaway bride” and her sister, the hip and paradoxical “I-Do Feminist.”


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