Prokofiev’s Dominant Chords with Tradition and Innovation in Romeo and Juliet, Op. 64

2021 ◽  
Vol 37 ◽  
pp. 133-161
Author(s):  
Kyoung Jin Song
Keyword(s):  
Romeo And Juliet

Romeo and Juliet

2003 ◽  
Author(s):  
William Shakespeare ◽  
Thomas Moisan
Keyword(s):  
Romeo And Juliet

Shakespeare's Representation of Weather, Climate and Environment

2019 ◽  
Author(s):  
Sophie Chiari
Keyword(s):  
Early Modern ◽  
Free Will ◽  
Religious Beliefs ◽  
Early Modern England ◽  
Literary Texts ◽  
Romeo And Juliet ◽  
Midsummer Night's Dream ◽  
The Tempest ◽  
As You Like It ◽  
Ability To Act

While ecocritical approaches to literary texts receive more and more attention, climate-related issues remain fairly neglected, particularly in the field of Shakespeare studies. This monograph explores the importance of weather and changing skies in early modern England while acknowledging the fact that traditional representations and religious beliefs still fashioned people’s relations to meteorological phenomena. At the same time, a growing number of literati stood against determinism and defended free will, thereby insisting on man’s ability to act upon celestial forces. Yet, in doing so, they began to give precedence to a counter-intuitive approach to Nature. Sophie Chiari argues that Shakespeare reconciles the scholarly views of his time with more popular ideas rooted in superstition and that he promotes a sensitive, pragmatic understanding of climatic events. She pays particular attention to A Midsummer Night’s Dream, Romeo and Juliet, As You Like It, Othello, King Lear, Anthony and Cleopatra, and The Tempest. Taking into account the influence of classical thought, each of the book’s seven chapters emphasises specific issues (e.g. cataclysmic disorders, the dog days’ influence, freezing temperatures, threatening storms) and considers the way climatic events were presented on stage and how they came to shape the production and reception of Shakespeare’s drama.

Shakespeare’s Dancing Bodies

2019 ◽  
pp. 172-196
Author(s):  
Brandon Shaw
Keyword(s):  
Early Modern ◽  
Modern Dance ◽  
The Body ◽  
Literary Texts ◽  
Somatic Psychology ◽  
Body Parts ◽  
Social Significance ◽  
Romeo And Juliet ◽  
Modern Times ◽  
Early Modern Times

Romeo’s well-known excuse that he cannot dance because he has soles of lead is demonstrative of the autonomous volitional quality Shakespeare ascribes to body parts, his utilization of humoral somatic psychology, and the horizontally divided body according to early modern dance practice and theory. This chapter considers the autonomy of and disagreement between the body parts and the unruliness of the humors within Shakespeare’s dramas, particularly Romeo and Juliet. An understanding of the body as a house of conflicting parts can be applied to the feet of the dancing body in early modern times, as is evinced not only by literary texts, but dance manuals as well. The visuality dominating the dance floor provided opportunity for social advancement as well as ridicule, as contemporary sources document. Dance practice is compared with early modern swordplay in their shared approaches to the training and social significance of bodily proportion and rhythm.

scholarly journals Romeo and Juliet: Perceptions of love of stigmatized relationships

2018 ◽  
Vol 11 (2) ◽  
pp. 102-112
Author(s):  
Thomas R. Brooks ◽  
Stephen Reysen ◽  
Iva Katzarska-Miller
Keyword(s):  
Relationship Satisfaction ◽  
Perceived Stigma ◽  
Multiple Sources ◽  
Romeo And Juliet ◽  
Study Participants

We examined the connection between the perception of love and stigma in relationships and how much stigma needs to be present to elicit a heightened perception of love. Participants in the first study rated several relationships on the degree of stigma each one of them faced, and how much the individuals in each relationship loved each other—the perception of the Romeo and Juliet effect. In the second study, participants read a scenario of a male, gay relationship with various degree of stigma (none, one, two, or three sources), and rated how much the couple loved each other. The results suggest that there is a perception that the Romeo and Juliet effect exists, despite evidence that does not (Sinclair, Hood, & Wright, 2014). Individuals in relationships, which face stigma from multiple sources, are believed to love each other more than those with no stigma. Together, the results suggest that perceived stigma and love in a relationship are positively associated, which runs counter to better supported models of relationship satisfaction (Parks, Stan, & Eggert, 1983).

scholarly journals Shakespeare and Keraliyatha: Romeo and Juliet, adaptation, and South Indian cinemas

2021 ◽  
pp. 018476782199998
Author(s):  
Mark Thornton Burnett
Keyword(s):  
Romeo And Juliet ◽  
South Indian ◽  
Local Cultures

This article discusses two Romeo and Juliet adaptations from Kerala, Annayum Rasoolum (dir. Rajeev Ravi, 2013) and Eeda (dir. B. Ajithkumar, 2018). Both films situate the lovers in a regional milieu which challenges notions of progress, as representations of political and religious contest suggest. Taking Ratheesh Radhakrishnan’s claim that the Malayalam film prioritises Keraliyatha or ‘Kerala-ness’, I suggest that songs and rituals are crucial to the films’ imagining of the lovers in relation to local cultures. Annayum Rasoolum and Eeda hold out the prospect of different futures, yet, ultimately, fall back on ambiguated conclusions and spectacles of separation and precarity.

Romeo and Juliet by Muse of Fire Theatre Company

2015 ◽  
Vol 33 (1) ◽  
pp. 150-153
Author(s):  
Caroline Dodge Latta
Keyword(s):  
Romeo And Juliet ◽  
Theatre Company
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