Introduction

Author(s):  
Samantha Caslin

The title of this book is taken from a statement made by a Liverpool-based women’s refuge, the House of Help, in 1918. Having offered its services to women for two decades, the House of Help looked towards the end of the First World War with the hope that their organization could be part of the ‘building’ of a ‘new world by helping to save the womanhood of our country’....

Author(s):  
Chris Mourant

Between April 1919 and December 1920, Mansfield found her voice as a literary critic, publishing over a hundred reviews under the initials ‘K.M.’ in the literary journal The Athenaeum, edited by John Middleton Murry. In her reviews, Mansfield linked the ‘new word’ of modernist formal experimentation with the spatial imaginary of an ‘undiscovered country’ or ‘new world’, a critical vocabulary formulated in response to the disintegration and ‘spiritual crisis’ of the First World War. The chapter positions Mansfield’s work in relation to writings by D. H. Lawrence and Murry, before tracing a dialogue between her reviews and Virginia Woolf’s critical writings in the years 1919–20. The chapter highlights the ways in which both Mansfield and Woolf privileged deep ‘emotion’ as the basis for a modernist ‘new word’.


2020 ◽  
pp. 91-100
Author(s):  
S. Troyan ◽  
N. Nechaieva-Yuriichuk ◽  
L. Alexiyevets

The Great War of 1914-1918 went down in history as the first armed clash of two warring coalitions of States on a global scale. The centenary of the end of the First World War of 1914-1918 became a significant information occasion for a new unbiased view in the context of a retrospective analysis of the problems of war and peace, war and politics, war and diplomacy, war and society, war and culture and the like. During the Great War at the beginning of the XX century the governments of countries – participants of the war used different ways for manipulation of human consciousness like fiction, poetry, postcards etc. The main aim of that was the achievement of people mobilization for war. The reaction of people of European states for the war was ambiguous, but a high percentage of population was in favor of the war. Even a famous French writer A. France (who was 70 years old) tried to become a volunteer to the war. So, what is possible to tell about younger men? But the reality of the First World War changed the vision of people toward it. They saw that the war is not a festival. It needs patience, first of all. New strategies, new armament demonstrated that the individual person had a small influence on result. The enemy was often invisible. All that affected the identification of soldiers and contributed the development of front-line brotherhood. Disappointment became the special feature of those who went through the war. They returned to the unstable world where it was difficult to find appropriate place for former soldiers. And again it was used by radical elements like A. Hitler in Germany. The author’s points out that it is necessary to understand the processes that took place at the beginning of the XX century to not repeat them at the beginning of the XXI century. Understanding the events of the world war 1914-1918, their impact on the human mind and psyche are a necessary component for understanding the processes that are currently taking place in our country. The state and government circles should take into account the experience of the past and develop an adequate strategy to overcome the destructive effects of war on the human consciousness, the integration of front-line soldiers into peaceful life and the protection of democratic ideals and freedoms.


New Sound ◽  
2014 ◽  
pp. 53-67
Author(s):  
de Nogueira

The First World War years witnessed a radical and important change in the history of both music and the phonographic industry, gradually putting popular rather than classical music under the spotlight and moving the axis of entertainment music production across the Atlantic into the New World. It is no coincidence that the first jazz, the first samba and also the first tango-canciôn were all recorded and released in the same year, 1917 - in the twilight of the Great War. This article intends to shed light on this process, discussing the cultural and socioeconomic factors that determined it.


Itinerario ◽  
1990 ◽  
Vol 14 (1) ◽  
pp. 45-60 ◽  
Author(s):  
W.C. Clarence-Smith

When the abolitionists achieved the suppression of the British slave-trade in 1807, they believed that a brave new world of free labour was opening up for Africa. Although they thought mainly in terms of ex-slaves providing the labour for plantation areas, they hoped that any shortfall could in part be met by free emigration from Africa. The reality was to be cruelly different from these dreams. Emigration continued, but overwhelmingly in the form of coerced labour, and most attempts at stimulating free emigration failed. Labour exports across the Atlantic remained close to the late eighteenth-century high point for about four decades, and then fell away steeply to almost nothing by the First World War, as the long, halting and often contradictory European campaign to abolish coerced labour slowly bore its fruits. In the interests of comparison with other areas of emigration, this report will devote a little space at the end to analysing why a small current of free emigration developed, and why it remained so limited. But the bulk of the report will focus on large exports of coerced labour.


1994 ◽  
Vol 29 (1) ◽  
pp. 42-47
Author(s):  
Ghiţa Ionescu

The Coincidence In Time of The Commemoration of the First World War and the end of the negotiations of the Uruguay round of the GATT Treaty has not only a clear symbolic but also a chastening meaning. Above all, even above its economic significance, it has a political meaning already familiar to the readers of this journal, but which now can and must be fully explained as we look at the 550 pages of text signed by the 117 members of the new World Trade Organization (WTO).Now, of course, before we take it for granted that everything has been finalized we should realize that, on the one hand, the treaty must be ratified (like the Maastricht Treaty) and that there may be some doubts about President Clinton's power to persuade the irate Hollywood celluloid-makers and about Premier Ministre Balladur's ability to influence unconvinced French farmers that the treaty was such a great French success, not to speak of the reservations of many developing countries.


Sign in / Sign up

Export Citation Format

Share Document