Introduction

Author(s):  
David M. Doyle ◽  
Liam O’Callaghan

This chapter opens with a micro-history of the murder of Ellen O’Sullivan by David O’Shea in rural Cork in 1931; this case study is used to introduce some of the key themes of the book, particularly around the social history of capital punishment in Ireland. The chapter then outlines the history of capital punishment in Ireland in the nineteenth century before analysing, in detail, the executions carried out during the revolutionary period and the civil war, and the attendant legal proceedings. Political crime and emergency legislation would remain key themes in the history of capital punishment after independence. The chapter then outlines the legal and technical procedures associated with the death penalty in independent Ireland. This key contextual material sets the scene for the remainder of the book.

2001 ◽  
Vol 28 ◽  
pp. 273-291
Author(s):  
Sean Stilwell ◽  
Ibrahim Hamza ◽  
Paul E. Lovejoy

A powerful community of royal slaves emerged in Kano Emirate in the wake of Usman dan Fodio's jihad (1804-08), which established the Sokoto Caliphate. These elite slaves held administrative and military positions of great power, and over the course of the nineteenth century played an increasing prominent role in the political, economic, and social life of Kano. However, the individuals who occupied slave offices have largely been rendered silent by the extant historical record. They seldom appear in written sources from the period, and then usually only in passing. Likewise, certain officials and offices are mentioned in official sources from the colonial period, but only in the context of broader colonial concerns and policies, usually related to issues about taxation and the proper structure of indirect rule.As the following interview demonstrates, the collection and interpretation of oral sources can help to fill these silences. By listening to the words and histories of the descendents of royal slaves, as well as current royal slave titleholders, we can begin to reconstruct the social history of nineteenth-century royal slave society, including the nature of slave labor and work, the organization the vast plantation system that surrounded Kano, and the ideology and culture of royal slaves themselves.The interview is but one example of a series of interviews conducted with current and past members of this royal slave hierarchy by Yusufu Yunusa. As discussed below, Sallama Dako belonged to the royal slave palace community in Kano. By royal slave, we mean highly privileged and powerful slaves who were owned by the emir, known in Hausa as bayin sarki (slaves of the emir or king).


1959 ◽  
Vol 4 (2) ◽  
pp. 261-284 ◽  
Author(s):  
J. E. S. Hayward

The survival of a concept is generally only secured at the price of an intellectual odyssey in the course of which it is transformed out of all recognition. The nineteenth century fortunes of the idea of solidarity exemplify this axiom only too strictly. It became the victim of a multiplicity of ingenious puns and metaphors as well as outright malicious distortions that rendered a simple, technical word, drawn from the sphere of jurisprudence, at once emotive and obscure, influential and diffuse. As the eminent and caustic critic of the twentieth century, Julien Benda, formulated this vital problem of the fate of concepts, “pour l'historien des idées des hommes, la réalité ce n'est point ce qu'ont été les idées dans l'esprit de ceux qui les ont inventées, mais ce qu'elles ont été dans l'esprit de ceux qui les ont trahies… car il est clair qu'une doctrine se propage d'autant plus largement qu'elle est apte à satisfaire un plus grand nombre de sentiments divers.” This pessimistic view has been all too frequently verified in human history.


Author(s):  
Laura Monrós Gaspar

Abstract: This paper seeks to analyze Francis Talfourd’s Electra in a New Electric Light (1859) as related to the Victorian stereotype of the strong-minded woman. After a brief introduction on the links between nineteenth-century burlesque and the social history of women in Victorian times, I shall focus on the figure of Electra as epitome of late nineteenth-century representations of New Women.Resumen: Resumen: El objetivo de este trabajo es el estudio de Electra in a New Electric Light (1859) de Francis Talfourd a partir del estereotipo victoriano de la strong-minded woman. Para ello, tras comentar la relación existente entre el teatro burlesco decimonónico de tema clásico y la historia social de la mujer a lo largo del siglo, nos centraremos en la figura de Electra, y en cómo, acompañada de otras heroínas clásicas, anticipa la representación de la Nueva Mujer de finales de siglo.


1979 ◽  
Vol 9 (1) ◽  
pp. 13-19 ◽  
Author(s):  
Roger Smith

SYNOPSISNineteenth-century theories of human volition are discussed in relation to ideas on insanity and responsibility. Attention is drawn to the importance of accounts of volition for medical psychologists and to the implications of these accounts for medical and lay discussion of criminal responsibility.


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