scholarly journals Hippolyte Taine, La storia, il suo presente, il suo futuro

2018 ◽  
pp. 521
Author(s):  
Andrea Schellino
Keyword(s):  
1992 ◽  
Author(s):  
Natascha Weschenbach
Keyword(s):  

2020 ◽  
Vol 34 (3) ◽  
pp. 537-596
Author(s):  
Carlos S. Alvarado

There is a long history of discussions of mediumship as related to dissociation and the unconscious mind during the Nineteenth Century. After an overview of relevant ideas and observations from the mesmeric, hypnosis, and spiritualistic literatures, I focus on the writings of Jules Baillarger, Alfred Binet, Paul Blocq, Théodore Flournoy, Jules Héricourt, William James, Pierre Janet, Ambroise August Liébeault, Frederic W.H. Myers, Julian Ochorowicz, Charles Richet, Hippolyte Taine, Paul Tascher, and Edouard von Hartmann. While some of their ideas reduced mediumship solely to intra-psychic processes, others considered as well veridical phenomena. The speculations of these individuals, involving personation, and different memory states, were part of a general interest in the unconscious mind, and in automatisms, hysteria, and hypnosis during the period in question. Similar ideas continued into the Twentieth Century.


Books Abroad ◽  
1931 ◽  
Vol 5 (3) ◽  
pp. 327
Author(s):  
Victor Giraud
Keyword(s):  

1978 ◽  
Vol 32 (2) ◽  
pp. 204-205
Author(s):  
D. G. CHARLTON
Keyword(s):  

2003 ◽  
Vol 30 (3) ◽  
pp. 365-388 ◽  
Author(s):  
John E. Joseph

Summary The key formative figure in the intellectual life of the young Ferdinand de Saussure was Adolphe Pictet (1799–1875), a family friend best remembered for his Les origines indo-européennes, ou Les Aryas primitifs: Essai de paléontologie linguistique (1859–1863). A review of its second edition written by Saussure two years after Pictet’s death contains a wealth of information about his life and work, including a description of his book Du beau, dans la nature, l’art et la poésie: Etudes esthétiques (1856). In it, Pictet makes clear that aesthetics is principally centred on the problem of the meaning of the word beauty, and that within this problem are to be found all the tensions between the rational and sensible, the intellectual and emotional, the subjective and objective, and intention and reaction, that are at the heart of the whole Enlightenment discourse on the nature of language. A number of remarks on regularity of form in nature, for example in crystallisation, find echoes in Saussure’s later characterisation of the language system, as do Pictet’s assertions about the arbitrary nature of the linguistic sign and about the signified being not a thing but a concept. Indeed, a number of ‘influences’ on Saussure which Aarsleff (1982) credited to Hippolyte Taine (1828–1893) – for whom we have no independent evidence of such influence – can more convincingly be ascribed to his early mentor Pictet. Du beau moreover provides a ‘missing link’ between the Enlightenment philosophers whose aesthetic views it details, and the traces of their philosophical positions that have repeatedly been detected in the Cours de linguistique générale.


1943 ◽  
Vol 20 (3) ◽  
pp. 141-156
Author(s):  
Iredell Jenkins ◽  
Keyword(s):  

2014 ◽  
Vol 40 (2) ◽  
pp. 229
Author(s):  
Éric Gasparini
Keyword(s):  

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