scholarly journals Marc Amfreville. Charles Brockden Brown. La part du doute.

2003 ◽  
Author(s):  
Mark Niemeyer
Author(s):  
Sean Moreland

This essay examines Poe’s conception and use of the Gothic via his engagements with the work of earlier writers from Horace Walpole through Ann Radcliffe, William Godwin, Charles Brockden Brown, Mary Shelley, and E. T. A. Hoffmann. Poe’s uses of the Gothic, and his relationship with the work of these writers, was informed by his philosophical materialism and framed by his dialogue with the writings of Sir Walter Scott. Tracing these associations reveals Poe’s transformation of the idea of “Gothic structure” from an architectural model, the ancestral pile of the eighteenth-century Gothic, to one of energetic transformation, the electric pile featured in many of Poe’s tales.


PMLA ◽  
1954 ◽  
Vol 69 (5) ◽  
pp. 1304
Author(s):  
Eleanor M. Tilton

1970 ◽  
Vol 41 (4) ◽  
pp. 594
Author(s):  
Donald A. Ringe ◽  
Arthur Kimball

PMLA ◽  
1944 ◽  
Vol 59 (1) ◽  
pp. 131-141 ◽  
Author(s):  
Thomas P. Haviland

The indebtedness of our earliest American fiction to old world models has been made plain on numerous occasions. The Power of Sympathy, commonly regarded as our first novel, and the works which immediately followed, obviously owe much to Samuel Richardson; our earliest professional novelist, Charles Brockden Brown, has been branded at once a disciple of Godwin—his Arthur Mervyn a lineal descendent of Caleb Williams—and a member of the Gothic School. Sterne's name, and the influence of his Shandean sensibility this side the water, have been bruited about. Yet, so far, one immediate and important source, the French Heroic Romance—those great folios of Scudéry, Gomberville, La Calprenède, and their compeers, translated, imitated, and avidly read in the mother country—has been almost totally overlooked.


1953 ◽  
Vol 10 (3) ◽  
pp. 487
Author(s):  
Curtis Carroll Davis ◽  
David Lee Clark

Author(s):  
Michelle Sizemore

This book investigates the post-revolutionary rituals and discourses of enchantment, a category of mystical experience uniquely capable of producing new forms of popular power and social affiliation. American Enchantment views this phenomenon as a response to a signature problem in post-revolutionary culture: how to represent the people in the absence of the king’s body and other traditional monarchical forms. In the early United States, this absence inaugurates new attempts to conjure the people and to reconstruct the symbolic order. For many in this era, these efforts converge on enchantment. This pattern appears in works by Charles Brockden Brown, Washington Irving, Catharine Sedgwick, and Nathaniel Hawthorne, as well as in the rites of George Washington’s presidency, the religious prophecy of the Second Great Awakening, the tar and featherings of the Whiskey Rebellion, and other ritual practices such as romance reading. Recognizing the role of enchantment in constituting the people overturns some of our most commonsense assumptions: above all, the people are not simply a flesh-and-blood substance but also a supernatural force. This project makes a significant contribution to interdisciplinary scholarship on the symbolic foundations of sovereignty by arguing that the new popular sovereignty is no longer an embodied presence fixed in space—in a king, nor even in a president, an individual, a group of persons, or the state—but a numinous force dispersed through time. That is, the people, counter to all traditional thought, are a supernatural and temporal process.


Sign in / Sign up

Export Citation Format

Share Document