Formulating a biblical teaching on sex for Nigerian Christian couples: A study of 1 Corinthians 7:1–5

2021 ◽  
Vol 77 (4) ◽  
Author(s):  
Olubiyi A. Adewale ◽  
Funke E. Oyekan
1976 ◽  
Vol 4 (4) ◽  
pp. 313-317
Author(s):  
C. E. Cerling

Meaningful discussion cannot take place until agreement has been reached about the subject for discussion. This article sets out what the author considers are the key issues relating to the debate between women's liberation and Christian theology. The single most important issue is this: Is the biblical teaching about women so conditioned by the culture of biblical times that it has no application to the present. Certain definitions are important. What is the meaning of “headship” in the New Testament? The other side of this question is, what is the meaning of subjection or subordination? We must also ask, how can the apparent partnership of Genesis 2 be reconciled with subordination as spelled out by Paul? In regard to the question of the ordination of women, we must ask if there were women ministers in the New Testament. This question is posed with signal difficulty by Paul's contrasting statements in 1 Corinthians 11 and 14 where he both restricts women's role in the church and provides a qualified opening for their teaching.


2013 ◽  
Vol 47 (1) ◽  
Author(s):  
Robin Gallaher Branch

This play is a teaching tool and examines the concepts of unity and disunity in the Body of Christ. Based on 1 Corinthians 12:12–27, the play contains as characters the body parts mentioned by Paul in his instruction on the need for honouring different ministries and functions in the church. Combining humour and song, the play follows in the steps of ancient medieval allegories and illustrates a biblical teaching in a contemporary way.Hierdie musiekblyspel kan vir onderrigdoeleindes gebruik word. Dit ondersoek die eenheids- en konflikaspekte in verband met die Liggaam van Christus. Dit is gebaseer op 1 Korintiërs 12:12-27 en die karakters van die toneelstuk beeld die verskillende liggaamsdele uit soos deur Paulus genoem in sy opdrag om die verskillende evangeliebedienings en funksies van die kerk te erken. Deur humor en sang te kombineer, volg die toneelstuk die voetspore van ‘n antieke Middeleeuse sinnebeelding en illustreer bybelse onderrig op ’n hedendaagse wyse.


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