scholarly journals The Pure Land Buddhist Art in Hakuho Period

1971 ◽  
Vol 20 (1) ◽  
pp. 228-230
Author(s):  
Tatsuji Ishizaki
Keyword(s):  
Author(s):  
Jacqueline I. Stone

Premodern Japanese hagiographies called ōjōden provide a model of ideal death. Persons who are to be born in Pure Land withdraw before dying to a separate room or chapel (mujōin), which helped separate them from worldly attachments (and also protected the living from death pollution). There they lie or sit upright before a buddha image and pass away calmly, chanting the nenbutsu, the Lotus Sutra, or other holy invocations. Afterward, marvelous signs manifest, such as purple clouds or unearthly music. Such signs both inspired and were shaped by Buddhist art and liturgical performances. Since survivors could not know whether the deceased had died with a focused mind or not, conformity to this model was the standard by which a good death was judged as such. Exemplary death was both the cause for achieving birth in the Pure Land and the “proof” that it had been achieved.


2018 ◽  
Vol 35 (1-2) ◽  
pp. 125-134
Author(s):  
Anālayo Bhikkhu

With the present paper I study and translate a discourse in the Ekottarika-?gama preserved in Chinese of which no parallel in other discourse collections is known. This situation relates to the wider issue of what significance to accord to the absence of parallels from the viewpoint of the early Buddhist oral transmission. The main topic of the discourse itself is perception of impermanence, which is of central importance in the early Buddhist scheme of the path for cultivating liberating insight. A description of the results of such practice in this Ekottarika-?gama discourse has a somewhat ambivalent formulation that suggests a possible relation to the notion of rebirth in the Pure Abodes, suddh?v?sa. This notion, attested in a P?li discourse, in turn might have provided a precedent for the aspiration, prominent in later Buddhist traditions, to be reborn in the Pure Land.


2014 ◽  
Vol 43 ◽  
pp. 133-171
Author(s):  
Jung-hee Kim
Keyword(s):  

Author(s):  
S. A. Polkhov ◽  

The article provides a Russian translation of the book IX of «Shincho̅-ko̅ ki». This part of the chronicle narrates the renewal of the war between Nobunaga and Honganji Temple. The followers of the True School of Pure Land besieged in Ozaka managed to inflict painful counterattacks against the forces of the “unifier of Japan”. Nobunaga detachments, trying to capture the Kizu fortress on the outskirts of Ozaka were surrounded and defeated. Ban Naomasa, one of his prominent military leaders, was killed, the army from Ozaka attacked the Tenno̅ji fortress, and only the help immediately rendered by Nobunaga saved the garrison from death. After that, Nobunaga blocked Ozakа on land and at sea. However, the fleet of the Mo̅ri house, which joined the ranks of Nobunaga opponents, and the allies of Mo̅ri were able to defeat the naval forces of Nobunaga and deliver provisions to Ozaka, which allowed Honganji to continue the struggle. Book IX also contains a description of the construction of Azuti Castle and its main tower (tenshu), Nobunaga’s residence. The unique information of the chronicle formed the basis for the further reconstruction of the tenshu’s appearance. The castle became the personification of the wealth and omnipotence of Nobunaga, a reflection of his claims to the role of supreme ruler of Japan. The wall paintings of the main tower halls manifest the influence of Confucianism, Buddhism and Taoism. The key symbols of the images are taken from Chinese political ideology.


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