German Jewish Intellectual Culture: Essays from the 1920s

Author(s):  
MISSING-VALUE MISSING-VALUE
Author(s):  
Marc B. Shapiro

This chapter takes a step back to consider the state of the German Jewry at length after the rise of Adolf Hitler to power in 1933. Rabbi Jehiel Jacob Weinberg, for his part, held a rather hopeful view of the situation that year, going so far as to repeatedly express that the Jews had nothing to fear from the Nazis, and the controversies his optimistic views caused within the German Jewish intellectual community. In the meantime, Hitler was beginning to implement more antisemitic reforms. His banning of the sheḥitah — the Jewish practice of ritually slaughtering meat — in particular shocked the Jewish community. At the same time that discussions about the sheḥitah issue were going on, Weinberg was confronted by plans to transfer the Berlin Rabbinical Seminary to Palestine. Though a minor episode in Weinberg's life, through it the chapter provides further insight into the relationship between east European talmudists and the modern rabbinical seminary.


2000 ◽  
Vol 23 (1) ◽  
pp. 134
Author(s):  
Wulf Koepke ◽  
Heidi Thomann Tewarson

Author(s):  
Matthew Handelman

This introduction lays out the eclipse of mathematics in Max Horkheimer and Theodor W. Adorno’s self-fashioning of critical theory and proposes an alternative paradigm for mathematics in critical thought, which this study calls negative mathematics. Radicalizing Edmund Husserl’s linkage of the mathematization of nature and the worsening political situation in Europe in the 1930s, the foundational phase of Horkheimer and Adorno’s critical project defined itself against mathematics as the reification and instrumentalization of reason. In the work of Gershom Scholem, Franz Rosenzweig, and Siegfried Kracauer, however, negative mathematics—mathematical approaches to lack, absence, and discontinuity—revealed ways of expressing Jewish experiences and perspectives otherwise erased by secularization and modernization. This development of negative mathematics is situated in a history of German-Jewish intellectual appeals to mathematics since Moses Mendelssohn. In the hands of Scholem, Rosenzweig, and Kracauer, it crystalized into theory that drew on mathematics to reconfigure the limits of representing minoritarian groups and ideas.


2001 ◽  
Vol 25 (92) ◽  
pp. 73-90 ◽  
Author(s):  
Leora Batnitzky

This article argues that Schoenberg's monumental opera Moses und Aron reflects a broader German-Jewish concern with the philosophical meaning of the Second Commandment and its relation to German-Jewish identity. By way of the aesthetic theory of the German-Jewish philosopher Hermann Cohen, the article analyzes Moses und Aron and suggests that Cohen's theory offers a context through which to understand the philosophical and cultural underpinnings of Schoenberg's music and drama. The article concludes with a brief discussion of the social and political milieu in which Moses und Aron was created and its implications for understanding Schoenberg's and the German-Jewish intellectual struggle for identity.


Sign in / Sign up

Export Citation Format

Share Document