Democracy and Institution Building in Mexico: A Case Study

2019 ◽  
pp. 291-312
Author(s):  
Luis Rubio
Keyword(s):  
1998 ◽  
Vol 30 (4) ◽  
pp. 385-389 ◽  
Author(s):  
D. Jeanette Nichols ◽  
Marjorie S. Hammer
Keyword(s):  

2019 ◽  
Vol 64 (2) ◽  
pp. 85-106
Author(s):  
Marina Mironică

Abstract The paper is an ethnography of cultural workers from the contemporary art centre from Cluj-Napoca, Romania – The Paintbrush Factory. The one-decade existence of the alternative space contributed to a range of changes in the local cultural scene and evolved from a physical space into a resource for the city’s culture-led development strategy. It also became affected and reshaped by wider changes in terms of applied cultural policies. Cultural workers’ perspective, their precarity and their involvement in the local art scene influenced the current commodification and entrepreneurialisation of the cultural offer. The Paintbrush Factory’s expansion and contraction are vividly presented through the reflexive lenses of the cultural workers and managers, whose case-study could easily be regarded as a signal and a symbol of the deficient cultural policies mostly oriented to profit and lacking any local and long term-vision.


Author(s):  
Ethan Schrum

Chapters 4 and 5 respectively explore the international and domestic institutional arrangements that American universities created to promote economic development around the world. Chapter 4 explains the US government’s university contracts abroad program, created in 1951 as part of the effort to implement Point Four. It also provides two case studies of university activities in Pakistan under government contracts: Penn’s attempt to create the Institute of Public and Business Administration at the University of Karachi, and the University of Southern California’s subsequent public administration program at several Pakistani institutions. The USC program self-consciously reflected on its “institution building,” and the case study traces the rise of that concept in the nationwide discussion of universities’ overseas activities that began in the mid-1950s among academic, foundation, and government officials.


2006 ◽  
Vol 27 (1) ◽  
pp. 7-29 ◽  
Author(s):  
Steve Maguire ◽  
Cynthia Hardy

We examine how a new discourse shapes the emergence of new global regulatory institutions and, specifically, the roles played by actors and the texts they author during the institution-building process, by investigating a case study of the Stockholm Convention on Persistent Organic Pollutants (POPs) and its relationship to the new environmental regulatory discourse of ‘precaution’. We show that new discourses do not neatly supplant legacy discourses but, instead, are made to overlap and interact with them through the authorial agency of actors, as a result of which the meanings of both are changed. It is out of this discursive struggle that new institutions emerge.


1978 ◽  
Vol 11 (1) ◽  
pp. 125-138 ◽  
Author(s):  
Kenneth Cabatoff

Radio-Québec, or the Office de Radio-Télédiffusion du Québec, was founded by the Quebec government in 1969 as an educational television service. This meant that it was parallel, in some respects, to the Ontario Educational Communications Authority or to the “ETV” stations of the Public Broadcasting Service in the United States. It was also perceived (within Quebec) as an historic affirmation of Quebec's constitutional rights in the field of broadcasting.


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