Class, gender, and the charismatic female subject

2021 ◽  
pp. 135-147
Author(s):  
Vivian P.Y. Lee
Keyword(s):  
2018 ◽  
Vol 2 (1) ◽  
pp. 29-33
Author(s):  
Mouhcine El-Hajjami ◽  
Souad Slaoui

The present paper aims at examining the extent to which Moroccan cinema could establish a diasporic visual discourse that cements national identity and contests the impact of westernization on migrants. Moreover, through the analysis the way in which independent identities are constructed in the host land, the article tries to incorporate a feminist discourse to highlight the role of the female subject in retrieving its own agency by challenging patriarchal oppression. Therefore, we argue that Mohammed Ismail’s feature-length film Ici et là (Here and There) has partially succeeded in creating a space for its diasporic subjects to build up their own independent identities beyond the scope of westernization and patriarchy.


Author(s):  
Carolin Schuster ◽  
Susanne Narciss ◽  
Jessica Bilz

AbstractIn three experiments (Ns = 327/137/210), we investigated whether test grades and elaborated feedback in a stereotypically male (Math) and a stereotypically female subject (German) are biased by the student’s gender. For this purpose, pre-service teachers graded and provided written feedback on tests which were allegedly from boys or girls. In addition, participants’ belief in stereotypes was measured in Study 1 and 2 and manipulated in Study 3 to test its moderating role. A meta-analysis across the three studies confirmed the following pattern: a small to moderate stereotype-contrasting grading bias, if the evaluators endorsed stereotypes, but no bias if they did not. Tests from the gender that, according to the stereotype, is weaker in the domain, were graded better. Study 1 and 3 further showed that the supposedly weaker gender received more elaborated feedback. The results are discussed in terms of shifting standards and previous findings in gender bias in school.


1999 ◽  
Vol 15 (3) ◽  
pp. 221-232 ◽  
Author(s):  
Caroline Nicol ◽  
Paavo V. Komi

Magnitude of the reflex contribution to force enhancement was investigated in vivo during passive stretches of the Achilles tendon (AT) of one female subject. Thirty passive (5 × 6) dorsiflexions were induced by a motorized ankle ergometer. Achilles tendon force (ATF) was sensed by a buckle transducer applied surgically around the right AT. Single passive stretches resulted in a low but rather linear ATF increase in the absence of EMG (surface electrodes) activity. In the presence of reflexes, a clear ATF enhancement occurred 13–15 ms after the beginning of the EMG reflex responses. In double dorsiflexions at either 1.2 or 1.9 rad · s-1, which were separated by a maintained stretched position of either 40 or 90 ms, the first stretch resulted in initial linear ATF increase, followed by an additional force enhancement during the plateau phase. This reflexly induced increase represented 94 ± 4 N and 184 ± 1 N, respectively, for the 40 and the 90 ms plateaus, corresponding to 210 ± 85% and 486 ± 177% enhancements as compared to the first passive stretch effect. The results suggest further that timing of the stretch during the twitch response influences the magnitude and rate of force potentiation.


Author(s):  
Sara Dickinson

This article reviews the evolution of toska in eighteenth-century literary discourse to demonstrate this sentiment's profound connection with notions of femininity. That century's use of toska culminates in Aleksandra Xvostova's then popular Otryvki (Fragments, 1796), the emotional emphases of which were one of the reasons for its success. In fact, we argue that Russian women's writing contains a tradition of emotional expression that is lexically distinct from the male tradition. Xvostova’s emphatic and reiterative use of toska participates in a larger debate about gender and the 'ownership' of personal emotions and it was relevant to literary arguments about "feminization" that involved writers such as Nikolaj Karamzin and Vasilij Zukovskij, but also a number of women authors (e.g. Ekaterina Urusova, Anna Turčaninova, Elizaveta Dolgorukova, Anna Volkova), whose work asserts the right of the female subject to both suffer strong emotion and to express it.


2020 ◽  
Vol 2 (4) ◽  
pp. 5
Author(s):  
Qing Peng ◽  
Wenxin Zhu

Female Subjective Consciousness Education is an important content in the ideological and political work in colleges and universities, and an organic part of College and University’s fundamental task of establishing morality and educating people. Clarifying the Female Subjective Consciousness Education in the ideological and political education in colleges and universities is conducive to the cultivation of builders and successors of the socialist cause who develop in morality, intelligence, body and aesthetics. This paper intends to sort out the current situation of the integration of female subject consciousness into ideological and political education in universities, analyze the significance of the integration, and put forward the countermeasures of the integration from following five aspects: Colleges and universities should adhere to the guidance of the basic principles of Marxism in its Ideological and political education work; Enrich and improve the ideological and political education system in colleges and universities; Strengthen the Female Subjective Consciousness Education among teachers; Promote the education of female subject consciousness in accordance with local conditions; Constantly radiating the signal of the Female Subjective Consciousness Education to the society.


1994 ◽  
Vol 84 ◽  
pp. 41-63 ◽  
Author(s):  
Jeri Blair Debrohun

Much recent criticism of Roman love elegy, especially Propertian love elegy, has been concerned with the exposure of elegy's ego and puella as poetic constructions whose ‘partially realistic’ characteristics and actions serve as metaphorical representations of the poet's writing practice and poetic ideals. As Duncan Kennedy has pointed out, however, this discourse of representation has already threatened to create its own limitations of applicability, as it privileges the ‘partial realism’ of love elegy's first-person narratives, in which an authorial male narrator (ego) writes of his female subject (puella), at the expense of the more openly unrealistic representational strategies of works such as Ovid's Heroides and Fasti or, the more immediate concern of this article, the fourth book of Propertius' elegies.


Edda ◽  
2002 ◽  
Vol 90 (02) ◽  
pp. 202-215
Author(s):  
Tanya Thresher
Keyword(s):  

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