Later English Broadside Ballads

2021 ◽  
Author(s):  
John Holloway ◽  
Joan Black
Keyword(s):  
Author(s):  
Alison Morgan

The sixteen ballads and songs within this section fall into two camps: elegy and remembrance. Whilst a central feature of elegiac poetry is the way in which it remembers or memorialises the dead, the dead a poem which is one of remembrance is not necessarily an elegy. Several of the songs herein use the date of Peterloo as a temporal marker – with an eye both on the contemporaneous reader or audience and the future reader. Included in this section are broadside ballads by Michael Wilson and elegies by Samuel Bamford and Peter Pindar. These songs display a self-awareness in their significance in marking the moment for posterity and in their attempts to reach an audience beyond Manchester and ensure that the public knew what had happened on 16th August as well as preserving the event in English vernacular culture. It is also a quest for ownership of the narrative of the day; the speed with which so many of these songs were written and published not only suggests the ferocity of emotions surrounding events but also the need to exert some control over the way in which they were represented.


Author(s):  
J. Rubén Valdés Miyares

Among the ten items labelled “Peninsular War ballads” in the website Broadside Ballads Online of the Bodleian Libraries two evidently date from the First Carlist War, and show a different mood. The remaining eight items related to the 1807-1815 period are actually only five, as two of them are different editions of the same songs, and another is merely about the setting in the Horse Guards Parade, London, of a memorial to the lifting of the siege of Cádiz in 1812. While the five true Peninsular War ballads represent it as a patriotic enterprise on behalf of brave Spaniards fighting tyrannical invaders, the two set in the Carlist War portray a more individualized adventure of soldiers of fortune. This new approach after 1815 suggests a more limited popular understanding of Spanish politics. Spain is no longer a scenario for the defence of universal principles, but for the reckless adventure of particular men.


2017 ◽  
Vol 62 (1-2) ◽  
pp. 72-73
Author(s):  
Milada Písková

The Comenius Museum in Přerov has an interesting collection of chapbooks of Moravian and Slovak provenance. In the early 1990s, it was processed in the form of a museum catalogue including photo documentation. There is no extant record of when the museum acquired this collection. The collection comprises more than two thousand items, the earliest of which come from the 18th century, the latest from the beginning of the 20th century. Most of them were published by the Škarnicl family. They include both secular broadside ballads and pilgrim songs, with religious themes being predominant. Some of them are kept loose while others have been bound into chapbooks with canvas, cloth or leather binding.


2021 ◽  
Vol 66 (3-4) ◽  
pp. 43-57
Author(s):  
Jakub Ivánek

The paper focuses on the issue of a relatively wide range of kramářské tisky – the medium of Czech popular literature of the Early Modern period and the 19th century. They mostly contained kramářské písně (Czech equivalent for broadside ballads), which are currently in the spotlight of Czech research interest. Kramářský tisk can also be defined by means of equivalents in other languages. The English term chapbooks, for example, may be helpful in emphasising the commercial focus of this literature (kramářské tisky could be literally translated as ‘chapman prints’). Although the English term cannot be clearly defined either, researchers generally come to an agreement that it is a publication of booklet character, of smaller extent as well as format (usually octavo or smaller, made of no more than three sheets of paper or having up to 99 pages). It was distributed by tradesmen at fairs, by colportage or soliciting. It was cheap (both in terms of production and price) and it brought what the broad spectrum of readers in towns and later in the countryside demanded – popular reading in the true sense of the word. It is complicated to include popular histories (knížky lidového čtení) in the comparison – they fit most of the features above, but they were made by folding and joining more sheets of paper and greatly exceed the imaginary limit of 99 pages. Therefore, this paper also deals with boundary media, which surpass the defined extent but principally are still chapman goods (i.e. small-format books of various lengths distributed at fairs and by soliciting). The text of the study draws attention to the appearance and development of certain types of kramářské tisky of both religious and secular content. For a better illustration, many of these types are mediated by an image.


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