scholarly journals Conspicuous and performative blackness as decolonial political branding against the myth of the post-colonial society

Author(s):  
Rofhiwa Felicia Mukhudwana
2018 ◽  
Vol 14 (1) ◽  
pp. 111-118
Author(s):  
Liutauras Nekrošius ◽  
Edita Riaubienė

Abstract This paper discusses particular aspects of the development of cultural identity through diverse, multi-layered architectural heritage and argues that by combining architectural expertise with community engagement the inclusive modernist heritage collection can be created. The research is based on the case of Palanga resort. The paper focuses on the issue of creating a list of cultural heritage of Palanga town as a coherent and continuous architectural collection and discusses the approaches to be used in engaging communities into the process of heritage making. Considering the post-colonial society and its multiple relationship with the built environment of that time in Lithuania, the changed needs and requirements, and today’s high commercial interest, it is essential to find effective ways for the protection and further development of heritage of the recent past.


2020 ◽  
Vol 2 (1) ◽  
pp. 130-142
Author(s):  
Vincent Odhiambo Oduor

This paper sets out to examine how Wole Soyinka uses art in his first novel, The Interpreters to reflect the post-colonial issues that affect individuals in the newly independent state of Nigeria. It begins by illuminating Wole Soyinka as a unique artist who experiments with all genres of literature. The paper then discusses Artistry in The Interpreters but limiting the study to plot, characterisation and his style of narration.  This paper draws interest in the society as portrayed in the text. We see a society which is experiencing a gradual drifting from the traditional ways of life to the modern, though in a confused manner because their world view of the contemporary world is suppressed by the systems put by the post-colonial government.  The interpreters are an epitome of the broader community, which is experiencing changes in their country. The paper brings out an argument that with the creation of post-colonial society come different personalities with different responses to the situation. 


Author(s):  
Anja Höing

This chapter argues that the openness and egalitarianism of scientific discourse to be found in Terry Pratchett’s Nation functions as an alternative to the hierarchical structures imposed by colonialism. In addition, the chapter discusses the ways in which Pratchett attributes liminal potential to religious beliefs and posits the suggestion that pantheism is the most appropriate religious belief system within the social-scientific framework of his model post-colonial society. Finally, the chapter argues that Nation highlights the importance for young readers of addressing and critically reflecting on the issue of their own belief systems, in order to manage the difficulties of 21st-century living.


2016 ◽  
Vol 37 ◽  
pp. 115-161 ◽  
Author(s):  
Chris G. Sibley ◽  
Danny Osborne

2011 ◽  
Vol 10 (1) ◽  
pp. 1-53 ◽  
Author(s):  
Nur Masalha

Ever since the 1948 Palestinian Nakba a bitter controversy has raged over its causes and circumstances. While the Palestinian refugees have maintained that they were driven into flight, Israeli historians claimed that the refugees either left of their own accord, or were ordered to do so by their own leaders. This essay explores the emergence of an Israeli revisionist historiography in the late 1980s which challenged the official Zionist narrative of 1948. Today the ‘new historians’ are bitterly divided and at each other's throats. The essay assesses the impact of the ‘new historians’ on history writing and power relations in Palestine-Israel, situating the phenomenon within the wider debates on knowledge and power. It locates ‘new history’ discourse within the multiple crises of Zionism and the recurring patterns of critical liberal Zionist writing. It further argues that, although the terms of the debate in Western academia have been altered under the impact of this development, both the ‘new history’ narrative and ‘Post-Zionism’ have remained marginal in Israel. Rather than developing a post-colonial discourse or decolonising methodologies, the ‘new historians’ have reflected contradictory currents within the Israeli settler colonial society. Also, ominously, their most influential author, Benny Morris, has reframed the ‘new history’ narrative within a neo-colonialist discourse and the ‘clash of civilisations’ thesis. Justifying old and neo-colonialist ideas on ‘transfer’ and ethnic cleansing, Morris (echoing calls by neo-Zionist Israeli politicians) threatens the Palestinians with another Nakba.


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