Clara Reeve, ‘An Epithalamium', from Original Poems on Several Occasions (1769)

2021 ◽  
pp. 321-323
Author(s):  
Rachel Cope ◽  
Amy Harris ◽  
Jane Hinckley ◽  
Amy Harris
Keyword(s):  
Author(s):  
Fiona Price

Chapter One explores how the historical novel emerged in the 1760s as a form which at once employed and interrogated the dominant political narrative of ‘ancient liberties’. The notion of ancient constitutionalism allowed proposals for reform or for limits on monarchical power to be seen as attempts to ensure stability or, at most, (as with the theory of the Norman Yoke) to return to political origin. Yet for Horace Walpole ancient constitutionalism seems at times a troubled jest; Clara Reeve senses that the motif desperately needs reinforcement; and even after the more radical uses of the theory of the Norman Yoke by the Constitutional Society in the 1780s and 90s, Ann Radcliffe considers it a frozen political fable. Haunted by the spectre of the divine right of kings, in the historical novel the narrative of tradition ultimately proves an insufficient underpinning for the constitution.


1986 ◽  
Vol 81 (2) ◽  
pp. 510
Author(s):  
Colin P. Thompson ◽  
Elias L. Rivers
Keyword(s):  

1907 ◽  
Vol s10-VIII (198) ◽  
pp. 294-295
Author(s):  
John Pickford
Keyword(s):  

1855 ◽  
Vol s1-XII (298) ◽  
pp. 28-29
Author(s):  
J. Pennycook Brown
Keyword(s):  

T oung Pao ◽  
2018 ◽  
Vol 104 (5-6) ◽  
pp. 626-671
Author(s):  
Claudine Ang

AbstractAfter the collapse of the Ming dynasty, a group of Ming loyalists settled in Hà Tiên (located on the Vietnamese side of the modern border between Cambodia and Vietnam) on the Mekong delta. On those frontier lands, they built a settlement around a port that maintained close connections with Guangdong and Fujian. This article examines an eighteenth-century literary project that took as its focus ten scenic sites in Hà Tiên. The poems were distributed via the coastal trading network to poets in Vietnam and the Chinese mainland, who composed matching poems and returned them with the next sailing season. These poetic compositions functioned as a medium through which the originator of the project rendered his domain civilized by giving pattern (wen 文) to Hà Tiên’s natural environment. Moreover, he encoded in them messages that urged dispersed Ming loyalists to make Hà Tiên their new capital. Close study of the ten original poems uncovers the motivations of a second-generation Ming loyalist, who composed landscape poetry to create a new home outside the Chinese mainland.


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