W.E.B. Du Bois and the Atlanta University Studies on the Negro*

2017 ◽  
pp. 63-74
Author(s):  
Elliott M. Rudwick
2019 ◽  
Vol 54 (1) ◽  
pp. 66-73
Author(s):  
LYNN MAXWELL

In this paper I explore what it means to require Shakespeare at a historically black college by looking at Adrienne Herndon's 1906 essay “Shakespeare at Atlanta University” and W. E. B. Du Bois's Souls of Black Folk. Despite the frequent association of Shakespeare requirements with a conservative agenda, both Herndon and Du Bois imagine possibilities for powerful politics in the performance and study of Shakespeare. Reading these two texts together suggests that teaching, studying, and performing Shakespeare might still be powerful politics at black institutions.


2017 ◽  
Vol 4 (1) ◽  
pp. 35-48 ◽  
Author(s):  
Kalasia Shqueen Daniels ◽  
Earl Wright

The authors examine the methodological sophistication of the research conducted by the W.E.B. Du Bois–led Atlanta Sociological Laboratory (ASL), the first American school of sociology, and Albion Small–edited American Journal of Sociology ( AJS). Comparative analysis of the ASL publications and scholarly articles in AJS between 1895 and 1917 is undertaken to identify articulations of the method(s) of research offered in both. The authors conclude that the articulation of research methods by the ASL is superior to those from AJS. Moreover, the authors propose that Du Bois’s school was the first to institutionalize the presentation of a methods section in its research publications. Despite the ASL’s contributions to the discipline, the authors argue that scientific racism, institutional racism, and the blacklisting of Du Bois because of his embrace of communism and socialism contribute to the laboratory’s 100-year sociological marginalization. Ultimately, the authors propose that the ASL, in its entirety and not as an addendum to its relationship to Du Bois, be incorporated into the sociological canon as vigorously as the Chicago School.


Author(s):  
Michael J. Saman

Abstract W. E. B. Du Bois’s engagement with the thought of Karl Marx forms an important aspect of his intellectual biography, yet its contours crystallize explicitly only late in his written work, and its development prior to the 1930s remains insufficiently understood. In order to bring to light the mix of criticisms, reservations, ideals, and inspirations that shape this reception, this article explores its trajectory as exhaustively as the available documentation permits, beginning from Du Bois’s early training in economics as a university student, continuing through his increasing attention to socialism in the early 1900s and his embrace of Soviet communism in the 1920s, and culminating in the 1930s in his teaching of Marx at Atlanta University and the overtly Marxian positions he adopts in Black Reconstruction (1935).


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