Female immigrant global entrepreneurship

Author(s):  
María Villares-Varela ◽  
Monder Ram ◽  
Trevor Jones
2017 ◽  
Vol 21 (2) ◽  
pp. 23-44
Author(s):  
Kyungil Khoe ◽  
Hyuk-Jin Ko ◽  
Yeonsung Cho ◽  
Seon-U Kim

1988 ◽  
Vol 93 (4) ◽  
pp. 1122
Author(s):  
Hasia R. Diner ◽  
Doris Weatherford

2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Lucio Fuentelsaz ◽  
Juan P. Maicas ◽  
Javier Montero

AbstractThe creation of new ventures involves a great deal of risk and uncertainty. However, research has been theoretically divergent and empirically inconclusive about the influence of individuals’ risk tolerance on entrepreneurial entry. In this paper, we argue that this relationship is contingent on the reference point of individuals, taking into account the human capital and the opportunity cost of individuals when they decide to start a venture. This approach allows us to clarify some of the previous mixed results in the literature. We use a sample of almost 600,000 individuals from 90 countries that have participated in the Global Entrepreneurship Monitor project between 2010 and 2014. Our results show that individuals with previous experience as entrepreneurs do not need to be so risk-tolerant to set up their own venture, while individuals with a job and/or a high educational level need to be especially risk-tolerant to become entrepreneurs.


2020 ◽  
Vol 16 (2) ◽  
pp. 203-215
Author(s):  
Somaye Sharify ◽  
Nasser Maleki

AbstractThe present study intends to examine the link between clothes and cultural identities in Jhumpa Lahiri’s “Hema and Kaushik” (2008). It will argue that Lahiri explores her protagonists’ cultural displacement through their items of clothing. We want to suggest that the protagonists’ clothes are employed in each narrative as signifiers for the characters’ cultural identities. The study will further show that each item of clothing could be loaded with the ideological signification of two separate cultures. In other words, it aims to demonstrate how ideology imposes its values, beliefs, and consequently its dominance through the dress codes each defines for its subjects. Moreover, it intends to suggest that the link between clothing and identity is most visible and intense in the case of female immigrant characters rather than men. Drawing on Luptan’s structure of the Cinderella line, we will explore Lahiri’s protagonists’ cultural transformation from simple ethnic girls to stylish American ladies through their items of clothing. The study will conclude that the “Cinderella line” does not work in Lahiri’s realistic stories the way it does in fairy tales and romance fiction.


2020 ◽  
Vol 33 (6) ◽  
pp. 1959-1979
Author(s):  
Lianlian Song ◽  
Kin Keung Lai ◽  
Kwok Fai Geoffrey Tso ◽  
Jerome Yen

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