Paper Arts, Printmaking, and Book Arts

Author(s):  
Debrah C. Sickler-Voigt
Keyword(s):  
2021 ◽  
Vol 120 (2) ◽  
pp. 369-388
Author(s):  
Mimi Khúc

This epistolary essay chronicles the making of Open in Emergency: A Special Issue on Asian American Mental Health (2016, 2019), an interdisciplinary, hybrid book arts project that is an antiracist and disability justice rethinking of mental health. Open in Emergency works to decolonize our approaches to un/wellness and radically expand our vocabularies through the arts and humanities. This essay, written in the form of love letters, journeys through the relationships, experiences, and curatorial processes that inform Open in Emergency’s interventions, particularly what the author dubs a “pedagogy of unwellness,” a crip temporality, epistemology, and ethics that rethink how we experience unwellness and the kinds of care our unwellness requires. The essay offers up Open in Emergency as an example of the kinds of intellectual and arts practices we might engage to develop new ways, and times, of care, for all of us.


2016 ◽  
Vol 41 (3) ◽  
pp. 160-170
Author(s):  
Monica Sajeva ◽  
Gustavo Grandal Montero

The London Centre for Book Arts (LCBA) www.londonbookarts.org is an artist-run studio providing education programmes for a wide community of users and access to resources for artists and designers. Its mission is to foster and promote book arts and artist-led publishing in the UK through collaboration, education, and by providing open-access to printing and bindery facilities.Established at Britannia Works, Fish Island (London E3) in October 2012, LCBA was founded and is run by artists Simon Goode and Ira Yonemura. We met them in 2015 and early 2016 to talk about their experiences over the last three years, current projects and future plans. They are an example of purposeful, pragmatic idealism.


2011 ◽  
Vol 12 (4) ◽  
pp. 257-267
Author(s):  
Wojciech Zalewski ◽  
Glen Worthey
Keyword(s):  

1989 ◽  
Vol 14 (3) ◽  
pp. 21-23 ◽  
Author(s):  
Zsuzsanna Tószegi

From a cultural point of view as well as politically and geographically, Hungary is very much part of Eastern Europe; although the “Iron Curtain” appears less formidable than hitherto, opportunities for people to encounter works of art are relatively few. In these circumstances, public libraries have a vital role to play in organising art exhibitions; their exhibition activities have been surveyed, and could in future be coordinated, by the National Széchényi Library. With some notable exceptions, the scope of exhibitions has tended to be unadventurous, focussing especially on the graphic and book arts because of their obvious relevance in a library environment. There is a particular need for exhibitions for children which would encourage uninhibited experiences of works of art and design.


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