C-reating: how to define vision and concept/Creative Tension Engine

2019 ◽  
pp. 119-137
Author(s):  
Frank Ouwens
Keyword(s):  
2007 ◽  
Author(s):  
Patrick Olivelle

This volume brings together papers on Indian ascetical institutions and ideologies published by Olivelle over a span of about thirty years. Asceticism represents a major strand in the religious and cultural history of India, providing some of the most creative elements within Indian religions and philosophies. Most of the major religions, such as Buddhism and Jainism, and religious philosophies both within these new religions and in the Brahmanical tradition were created by world renouncing ascetics. Yet, ascetical institutions and ideologies developed in a creative tension with other religious institutions that stressed the centrality of family, procreation, and society. It is this tension that has articulated many of the central features of Indian religion and culture. The papers collected in this volume seek to locate Indian ascetical traditions within their historical, political, and ideological contexts. Many of the papers included here represent some of Olivelle's earliest work. It is quite natural that as one matures as a scholar one's approaches and theoretical models change. It would have been impractical and unwise to rewrite all these earlier papers. Even though some of these papers are now dated, bringing them together in a single volume, it is hoped, will prove to be helpful to scholars and students.


1965 ◽  
Vol 22 (1) ◽  
pp. 39-58 ◽  
Author(s):  
Paul A. Crow

“The prospect of a church union cannot expect an exactly agreed-upon theology of the eucharist. Any effort to unite the church on a precise definition would cause a union on any comprehensive basis to fail. This is one of the places where unity in diversity is essential. Having made this point, however, there is a sense in which an emerging consensus, guided by fruitful New Testament studies, can be discerned on the ecumenical horizon. Far from a systematic interpretation, these issues furnish a significant basis for conversation, and indicate that the status of creative tension may possibly be preserved without division even on such a central matter as the Lord's Supper.”


Author(s):  
Andrea Bikfalvi ◽  
Pasi Porkka ◽  
Heli Aramo-Immonen ◽  
Núria Mancebo ◽  
Jussi Kantola ◽  
...  

Author(s):  
Andrea Bikfalvi ◽  
Pasi Porkka ◽  
Heli Aramo-Immonen ◽  
Núria Mancebo ◽  
Jussi Kantola ◽  
...  

2012 ◽  
Vol 2 (2) ◽  
pp. 64
Author(s):  
Jonathan Miller-Lane

<p class="MsoNormal" style="text-align: justify; margin: 0cm 0cm 6pt;"><span style="mso-ascii-font-family: Calibri; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;" lang="EN-US"><span style="font-size: small;"><span style="font-family: Calibri;">Discussions regarding martial arts often focus on the unique manner in which different styles respond to a set of common attacks. Indeed, it is in these unique responses that most martial arts distinguish themselves. However, this paper examines the role of the aggressor during training; specifically, in the martial art of Aikido and draws an analogy between the role of an aggressor during Aikido practice and the actions of a member of the loyal opposition in a democracy. A commitment to a set of rules that govern and protect the participants and a commitment to maintain a rich, creative tension mark both the vibrant interactions of an Aikido dojo and democratic life in a multicultural society.</span></span></span></p>


2000 ◽  
Vol 9 (1) ◽  
pp. 5-20
Author(s):  
Pnina Werbner

The prizing open of a familiar concept inaugurates new directions for research. It also leads to a proliferation of definitions and typologies as, over time, the concept comes to be reworked from different disciplinary vantage points and re-interpolated into widely divergent ethnographic accounts or aesthetic texts. This complex, often dialectical process of thinking through a concept anew is not simply linear; it loops back on itself in creative tension with earlier theoretical insights.


Sign in / Sign up

Export Citation Format

Share Document