scholarly journals O contraponto de Ellen Meiksins Wood ao viés antidemocrático de Sócrates, Platão e Aristóteles

2020 ◽  
Vol 26 (52) ◽  
pp. 33-48
Author(s):  
Ellis Fernanda Lacowicz

Este trabalho tem por objetivo expor as conclusões obtidas na dissertação de mestrado ao analisar a perspectiva da pesquisadora e historiadora Ellen Meiksins Wood (1942-2016) sobre a democracia ateniense. Sendo assim, verificamos que a sua perspectiva é um contraponto à visão antidemocrática dos filósofos clássicos Sócrates, Platão e Aristóteles, a qual é apresentada nas obras Democracia contra capitalismo (2011b) e Peasant-citizen and Slave: The Foundations of Athenian Democracy (1989), nas quais a autora dá ênfase à figura do trabalhador-livre, em especial o cidadão-camponês, que possuía, segundo Wood, um status jurídico e político sem precedentes, que estava livre de qualquer tipo de exploração por meio da coação por parte dos donos de terras e também por parte do Estado. A visão tradicional foi influenciada pelo que Ellen Wood chama de mito da ralé ociosa, inspirado pelos filósofos gregos Sócrates, Platão e Aristóteles. Na primeira seção, tratamos a visão tradicional sobre democracia ateniense, em especial, a perspectiva de Norberto Bobbio. Na segunda seção, abordamos a perspectiva de Ellen Meiksins Wood sobre a democracia ateniense, mais especificamente sobre o papel do cidadão-camponês e dos escravos em Atenas. Por fim, na terceira seção, discorremos sobre o método utilizado pela autora para estudar os teóricos políticos clássicos – o Contextualismo Social – e sua aplicação, o qual a possibilitou compreender a democracia ateniense de forma única e inovadora, bem como verificar que a visão dos filósofos Sócrates, Platão e Aristóteles sobre a democracia ateniense era partidária, antidemocrática.

Author(s):  
Cinzia Arruzza

A Wolf in the City is a study of tyranny and of the tyrant’s soul in Plato’s Republic. It argues that Plato’s critique of tyranny is an intervention in an ancient debate concerning the sources of the crisis of Athenian democracy and the relation between political leaders and the demos in the last decades of the fifth century BCE. The book shows that Plato’s critique of tyranny should not be taken as a veiled critique of the Syracusan tyrannical regime but, rather, as an integral part of his critique of Athenian democracy. The book also offers an in-depth and detailed analysis of all three parts of the tyrant’s soul, and contends that this approach is necessary to both fully appraise the complex psychic dynamics taking place in the description of the tyrannical man and shed light on Plato’s moral psychology and its relation with his political theory.


Author(s):  
Raphaëla Dubreuil

This chapter explores the image Plutarch created of the end of Athenian Democracy. Its aim is to show that Plutarch conceived of this end through the lens of the theatre, and to explore the origins of this portrayal. It makes this argument through close study of the intersection of theatre and politics in Plutarch’s Life of Phocion. Plutarch expresses the political significance of crucial moments by drawing attention to their theatrical dimension. Theatrical venues, self-presentation, staging, speech, and props are used in order to create an emotional impact on an Athenian audience. Since Plutarch understood theatre in (mostly) Platonic terms, this evaluation is negative. He wishes to depict an Athenian society predisposed to strong emotion, ready to welcome an exuberant tyrant with open arms despite its previous democratic values.


Author(s):  
Andrew Erskine

Plutarch wrote twenty-three Greek Lives in his series of Parallel Lives—of these, ten were devoted to Athenians. Since Plutarch shared the hostile view of democracy of Polybius and other Hellenistic Greeks, this Athenian preponderance could have been a problem for him. But Plutarch uses these men’s handling of the democracy and especially the demos as a way of gaining insight into the character and capability of his protagonists. This chapter reviews Plutarch’s attitude to Athenian democracy and examines the way a statesman’s character is illuminated by his interaction with the demos. It also considers what it was about Phocion that so appealed to Plutarch, first by looking at his relationship with the democracy and then at the way he evokes the memory of Socrates. For him this was not a minor figure, but a man whose life was representative of the problems of Athenian democracy.


Author(s):  
Craige B. Champion

This chapter makes two contributions to our understanding of Polybius’ representation of the Athenian democracy. First, it shows that Polybius’ negative general portrayal of Athens in his political analysis in Book 6 is frequently at odds with his apparent admiration of the Athenians as reflected in his accounts of Athenian diplomacy in the historical narrative. Second, and more importantly, the paper contextualizes the characterization of the Athenian politeia in Book 6 within Polybius’ generally negative depictions of radical democratic states (ochlocracy, in Polybius’ terms). Here it is necessary to note the political meaning of the term ‘democracy’ in the mid-second century BCE, in order to understand how Polybius can condemn the Athenian politeia while praising the qualities of δημοκρατία‎.


2020 ◽  
pp. 009059172098295
Author(s):  
Elizabeth Barringer

The Apology is often read as showing a conflict between democracy and philosophy. I argue here that Socrates’s defense critically engages deeply political Athenian conventions of death, showing a mutual entanglement between Socratic philosophy and democratic practice. I suggest that Socrates’s aporetic insistence within the Apology that we “do not know if death is a good or a bad thing” structures a critical space of inquiry that I term “mortal ignorance;” a space from which Socrates reapproaches settled questions of death’s appropriate place in political life, ultimately prompting a partial transformation of Athenian democracy. I argue here that Socratic mortal ignorance supports a self-reflective politics of death, one which produces many potential responses and accepts the impossibility of closing off death’s meaning in any final sense—an aporia suitable for the unending, precarious work of democratic politics.


2021 ◽  
pp. 009059172199807
Author(s):  
Liam Klein ◽  
Daniel Schillinger

Political theorists have increasingly sought to place Plato in active dialogue with democracy ancient and modern by examining what S. Sara Monoson calls “Plato’s democratic entanglements.” More precisely, Monoson, J. Peter Euben, Arlene Saxonhouse, Christina Tarnopolsky, and Jill Frank approach Plato as both an immanent critic of the Athenian democracy and a searching theorist of self-governance. In this guide through the Political Theory archive, we explore “entanglement approaches” to the study of Plato, outlining their contribution to our understanding of Plato’s political thought and to the discipline of political theory.


2020 ◽  
Vol 125 (5) ◽  
pp. 1937-1938
Author(s):  
Loren J. Samons
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