Introduction: Armored Beasts and the Elephant in the Room

Author(s):  
John Beusterien

Animal spectacles are important for a holistic understanding of early modern Spanish culture. Influenced by Albrecht Dürer’s Rhinoceros, early modern Spain celebrated itself as a planetary world power through the spectacles of an exotic elephant, rhinoceros, armadillo, and lion. Also, partially due its role as a foil to the positing of animals as exotic, Spain created a spectacle of a homegrown bull. This chapter asserts the importance of deploying the methodology of a biogeography for one of each of these species, all of whom played a role as an animal protagonist in a spectacle. The writing of biogeographies takes the extinction of species in the Anthropocene into account and, in contrast to the negative impact of each animal’s role as an object in a spectacle, places an emphasis on an earth ethics that fosters healthy animal-human communities.

PMLA ◽  
2011 ◽  
Vol 126 (1) ◽  
pp. 233-242
Author(s):  
Juan Boscán ◽  
Garcilaso de la Vega

The emergence of Spain as a world power in the early sixteenth century compelled a radical change in its language and literature. reflecting the country's global expansion, Spanish culture moved beyond its medieval belatedness to compete with Renaissance Italian culture, whose superiority was based on the humanist rebirth of ancient values. The cultural rivalry between Spain and Italy is documented in the prefaces that follow, written by the Catalan poet Juan Boscán (1490?–1542) and the Toledan noble Garcilaso de la Vega (1499?–1536). Through these poets' efforts, Spain became the first European nation-state not only to appropriate Italian versification and prose style but also to displace Italy from the political and literary spheres of power (King 240–41). The political and cultural significance of Boscán's and Garcilaso's revisionary poetics makes their prefaces the first literary manifestos of early modern Spain.


Author(s):  
Vivian Nutton

This chapter reviews the book Anatomy and Anatomists in Early Modern Spain (2015), by Bjørn Okholm Skaarup. The book traces the development of anatomy in Spain and Mexico from 1500 to the end of the seventeenth century. Skaarup cites particular instances where the Spanish experience can contribute substantially to wider debates, including Juan Tomas Porcell’s autopsies of plague victims in a hospital at Zaragoza in 1568 and the detailed plan of 1586 for a ‘house of anatomy’ there. He challenges O’Malley’s exaggerated description, based on Vesalius’s comments on his time in Spain between 1559 and 1561, that doctors and surgeons lack interest in anatomy. Skaarup reveals the difficulties faced by those who wished to introduce dissection as an essential part of the education of a doctor, as well as the objections that might be made.


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