scholarly journals Conflict and the Australian commemorative landscape

Author(s):  
Alison Bedford ◽  
◽  
Richard Gehrmann ◽  
Martin Kerby ◽  
Margaret Baguley ◽  
...  

Australian war memorials have changed over time to reflect community sentiments and altered expectations for how a memorial should look and what it should commemorate. The monolith or cenotaph popular after the Great War has given way to other forms of contemporary memorialisation including civic, counter or anti-memorials or monuments. Contemporary memorials and monuments now also attempt to capture the voices of marginalised groups affected by trauma or conflict. In contrast, Great War memorials were often exclusionary, sexist and driven by a nation building agenda. Both the visibility and contestability of how a country such as Australia pursues public commemoration offers rich insights into the increasingly widespread efforts to construct an inclusive identity which moves beyond the cult of the warrior and the positioning of war as central to the life of the nation.

Author(s):  
Saeko Yoshikawa

Chapter 5 reveals how the Great War of 1914–1918 produced a remarkable upturn in Wordsworth’s reputation, and how it had an inescapable impact on the cultural landscape of the Lake District. For obvious reasons, Wordsworth’s sonnets on liberty and independence had strong public appeal, and his sense of crisis during the war with Napoleonic France was shared by many who stood against Germany. Equally, Wordsworth’s poetry and the Lake scenery offered consolation and relief at a time of widespread tension, anxiety, and horror. When hostilities ended, Wordsworth’s association with the Lake scenery, combined with his patriotic revival during the war, produced the idea of the Lakeland mountains as a stronghold of national liberty. Twelve mountains were donated to the National Trust to be preserved as war memorials, and public free access to them were also secured.


2019 ◽  
Vol 78 (4) ◽  
pp. 454-471
Author(s):  
Etien Santiago

In Notre-Dame du Raincy and the Great War, Etien Santiago explores how the 1923 church of Notre-Dame du Raincy, designed by Auguste and Gustave Perret, resonated with other French buildings erected during or soon after World War I. Officially designated a monument to a significant battle and the soldiers who died there, the church contains only two overt commemorative symbols, both of which are relatively discreet. Yet original sources reveal that the Perrets' contemporaries saw additional allusions to the war in the building's exposed concrete and bell tower, the latter of which evoked the “lanterns of the dead” typical of contemporaneous French Great War memorials. Moreover, to build Notre-Dame du Raincy, the Perrets drew direct inspiration from utilitarian wartime constructions. Contextualizing the church amid these related structures allows us to chart some of the multiple and often contradictory ways in which French citizens and designers grappled with the war and its legacy.


Author(s):  
Sergei A. Mankov ◽  

The article examines the European experience of creating war memorials dedicated to the World War I, using the motives of medieval architecture. The fascination with the Middle Ages, spread through the art and literature of the Neo-Gothic and national Romanism period, was emotionally rethought by the generation that survived the catastrophe of the global conflict of 1914–1918. At the new stage, the symbolic harsh images of the Middle Ages turned out to be more consonant with the social creation of former front-line soldiers than the classical antique forms used in the memorialization of wars in the 18th–19th centuries. This process was reflected in the commemoration of the Great War in Great Britain, France, Germany and other countries, where the monuments to the fallen began to give the appearance characteristic of the towers, fortresses and castles of the long-gone Middle Ages, giving them a new interpretative meaning.


Author(s):  
Peter Cooke

In relation to WWI war memorials, we traditionally we have had a picture of earnest committees raising funds to build an obelisk, and dedicating it in a ceremony filled with poignancy and regret, sorrow and pride. And while that is essentially correct, the picture Jock Philips and Chris McLean painted (in their 1990 book) was skewed in one salient aspect – virtually all New Zealand communities also commemorated their fallen with a trophy gun. Hundreds of captured artillery pieces, mortars and machine guns were brought back from the front and distributed – to every city, town, borough, suburb and almost every school. This paper explores a slightly different view our commemorating the sacrifices of the Great War, one that added an element of ‘cold steel’ to the marble statuary. So what did we see in these trophy guns? Were they a triumphal statement or a reminder of loss? And what happened to them and the mode of commemoration they signified?


Author(s):  
STEFAN GOEBEL

This chapter investigates the overlaps between the ‘cultural memory’ of the distant past and the memory of the Great War in Britain and Germany between 1914 and 1939, looking in particular at the use of medieval(ist) images in war memorials. There was a certain tension between advocates of medievalism and supporters of classicist images, but often, they reached a compromise. The chapter combines a discussion of the concept of ‘cultural memory’ with case studies on the reception of antiquity and the Middle Ages in the era of the Great War.


Author(s):  
Andrew R. Holmes

Chapter 1 considers how Presbyterians in Ireland responded to the challenge of liberal theology and how that changed over time. Though Irish Presbyterianism remained conservative, the meaning of conservatism fluctuated between creedal distinctiveness and general evangelical principles. The discussion begins with the expansion of evangelicalism in the early nineteenth century and how this prompted a return to the Westminster Standards. The second section explores the consolidation of confessional identity in both colleges of the church and how they harnessed the spiritual energy unleashed by the 1859 revival by using the resources of the Westminster Confession and Princeton Theology to meet the challenges posed by British threats to confessional principles and subscription. The chapter concludes with a discussion of whether the Irish church suffered what some contemporaries referred to as a theological ‘downgrade’ in the decades before the outbreak of the Great War.


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