Originalität oder Epigonentum?

2021 ◽  
Vol 51 (1) ◽  
pp. 34-46
Author(s):  
Stefan Keym
Keyword(s):  
Franz Liszt ◽  
Function Form ◽  
Double Function

Julius Reubkes <Klaviersonate> gilt als getreues Abbild der <Sonate> h-Moll seines Lehrers Franz Liszt. Tatsächlich unterscheiden sich die beiden Werke deutlich voneinander: sowohl in ihrem Verhältnis zur Sonatenform als auch in Grundstruktur und Abwandlung ihrer Motive sowie der daraus resultierenden Dramaturgie. In der Kombination einer latenten "double-function"-Form mit einem systematisch verwendeten zyklischen Prinzip stellt Reubkes Werk einen originellen Beitrag zur Geschichte der Sonatenform dar, der auf die zyklische Sonate César Francks und die von ihr abgeleitete Theorie Vincent d'Indys vorausweist.

The “individual” in Johann Friedrich Overbeck’s and Franz Liszt’s Seven Sacraments

2013 ◽  
Vol 54 (4) ◽  
pp. 339-356
Author(s):  
Dolores Pesce
Keyword(s):  
Nineteenth Century ◽  
Franz Liszt ◽  
Individualized Treatment ◽  
Sacred Art ◽  
The Individual ◽  
Individual Voice ◽  
Emotional Effects ◽  
The Church

In the preface to his Septem sacramenta (1878–1884), Franz Liszt acknowledged its stimulus — drawings completed in 1862 by the German painter J. F. Overbeck (1789–1869). This essay explores what Liszt likely meant by his and Overbeck’s “diametrically opposed” approaches and speculates on why the composer nonetheless acknowledged the artist’s work. Each man adopted an individualized treatment of the sacraments, neither in line with the Church’s neo-Thomistic philosophy. Whereas the Church insisted on the sanctifying effects of the sacraments’ graces, Overbeck emphasized the sacraments as a means for moral edification, and Liszt expressed their emotional effects on the receiver. Furthermore, Overbeck embedded within his work an overt polemical message in response to the contested position of the pope in the latter half of the nineteenth century. For many in Catholic circles, he went too far. Both works experienced a problematic reception. Yet, despite their works’ reception, both Overbeck and Liszt believed they had contributed to the sacred art of their time. The very individuality of Overbeck’s treatment seems to have stimulated Liszt. True to his generous nature, Liszt, whose individual voice often went unappreciated, publicly recognized an equally individual voice in the service of the Church.

„Hochverehrter Meister“. Briefe von Ödön von Mihalovich an Franz Liszt

2003 ◽  
Vol 44 (3) ◽  
pp. 423-468
Author(s):  
Inge Birkin-Feichtinger
Keyword(s):  
Franz Liszt

Chopin and His World

2017 ◽  
Keyword(s):  
Franz Liszt ◽  
Cultural Narratives ◽  
Artistic Representations ◽  
First Time

Fryderyk Chopin (1810–1849), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. This book reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt. The chapters demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. The book offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies.

Determination of the Probability Distribution of the Mean Sound Level

2010 ◽  
Vol 35 (4) ◽  
pp. 543-550 ◽  
Author(s):  
Wojciech Batko ◽  
Bartosz Przysucha
Keyword(s):  
Probability Distribution ◽  
Probability Distribution Function ◽  
Mean Value ◽  
Sound Level ◽  
Function Form ◽  
Noise Levels ◽  
Logarithmic Mean ◽  
The Mean ◽  
Estimation Of Uncertainty

AbstractAssessment of several noise indicators are determined by the logarithmic mean <img src="/fulltext-image.asp?format=htmlnonpaginated&src=P42524002G141TV8_html\05_paper.gif" alt=""/>, from the sum of independent random resultsL1;L2; : : : ;Lnof the sound level, being under testing. The estimation of uncertainty of such averaging requires knowledge of probability distribution of the function form of their calculations. The developed solution, leading to the recurrent determination of the probability distribution function for the estimation of the mean value of noise levels and its variance, is shown in this paper.

scholarly journals Contingent associations and the double-function, verbal-discrimination task

1975 ◽  
Vol 3 (3) ◽  
pp. 311-314 ◽  
Author(s):  
Benton J. Underwood ◽  
Charles S. Reichardt
Keyword(s):  
Discrimination Task ◽  
Verbal Discrimination ◽  
Double Function
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