《春秋》微言在《新列國志》中的移轉表現淺說

2021 ◽  
Vol 37 (37) ◽  
pp. 157-194
Author(s):  
作者 作者
Keyword(s):  
Social Influence ◽  
Ming Dynasty ◽  
Academic Development ◽  
Popular Literature ◽  
Historical Events ◽  
Literary Performance ◽  
The Times ◽  
The Ming Dynasty

<p>處於銜接傳統與現代交替關鍵的明朝時期，人文風景展示著種種轉換的影像，或顯或隱，不論內涵與形式，都在巨細之間透露出相互呼應的消息，尤其是最能反映各類情境的通俗文學，不但吞吐即時訊息，而且提供背景資料，以及追蹤指南。因此，本論文擬連結儒家經典與通俗文學二者，探討傳統思維在時空易移下的吸納與演化。茲以精研《春秋》的「三言」（《喻世明言》、《警世通言》、《醒世恒言》）作者馮夢龍為關注主體，從轉變的角度，結合時代特質、學術取向、社會樣貌、文本體式、生命情理等多重層面，觀察其所撰《新列國志》之中，承載《春秋》的狀態，並尋繹其脈絡與意涵。</p> <p>&nbsp;</p><p>The Ming Dynasty was an era of alternating tradition and modernity. Popular literature was becoming more and more popular, and Feng Meng-long’s Xin Lie Guo Zhi is one of the representatives. This thesis will take Xin Lie Guo Zhi and Confucian classics Chun Que as examples to discuss the acceptance of Confucian thinking in popular literature at that time. The content includes: analysis and comparison of the characteristics of the times, social influence, writing characteristics, and humanistic care of Chun Que and Xin Lie Guo Zhi in angles of historical events, academic development, and literary performance.</p> <p>&nbsp;</p>

scholarly journals The differentiation between elegance and popularity in the orthography of popular literature of the Ming Dynasty and its causes

2018 ◽  
Vol 3 (1) ◽  
pp. 29-44
Author(s):  
Zhang Meilan ◽  
Zhan Hao
Keyword(s):  
Ming Dynasty ◽  
Cultural Awareness ◽  
Popular Literature ◽  
The West ◽  
Literary Works ◽  
Modern Fiction ◽  
The Creation ◽  
Journey To The West ◽  
Water Margin ◽  
The Ming Dynasty

Through examination of variants in two versions of Jinpingmei, three versions of Water Margin, two versions of Journey to the West, and between relevant sections of Qingpingshantang Scripts, Ancient and Modern Fiction, Jingshi Tongyan, and Amazing Stories, the existence of two trends of elegance and popularity in the orthography of different versions and literary works may be detected. Those texts with a more elegant character have been largely influenced by a strategy of standardized orthography, which is closely related to the creation purpose, knowledge, and cultural awareness of the authors, the willingness of booksellers to produce and sell such works, and their target consumers and readership. The differentiation between elegance and popularity in the character of literary works truly reflects the divergence of different texts within different social strata, which is not only a linguistic and philological question, but also a sociological one.

《明史紀事本末》卷之四十二〈弘治君臣〉校釋

明代研究 ◽  
2021 ◽  
Vol 37 (37) ◽  
pp. 167-243
Author(s):  
徐泓 徐泓 ◽  
林絲婷 Hong Hsu
Keyword(s):  
Ming Dynasty ◽  
Historical Record ◽  
Historical Events ◽  
Historical Sources ◽  
Entire Volume ◽  
Political Events ◽  
Official Records ◽  
The Ming Dynasty

<p>本文逐條校讀《明史紀事本末‧弘治君臣》的文本，註出其可能的史源，並以史源校正文本之訛誤。並以校注結果，兼談作者的編纂水平與史學。今尋其史源，以《皇明大政紀》為最主要史源，全書只有三條文本沒有參考引用《皇明大政紀》。不少條文本，其他史書皆不載，獨《皇明大政紀》載之；是獨家史源。由於編者未參考《明實錄》，全篇99條，時間錯置多達47處。而人名、官名和文字缺漏亦有18處，是本篇缺點。但作者能根據私家史書撰寫一些官方史書忌諱的史事，是本篇優點。其敘事完全配合「谷應泰論贊」對弘治朝政治的評價，論述其君臣之互動，大臣不斷進諫，弘治帝也能採納。對於朝政的負面現象，也不迴避。就此而論，《明史紀事本末‧弘治君臣》仍不失為一篇良史之作。</p> <p>&nbsp;</p><p>This is an annotated version of the chapter on &ldquo; Emperor Hongzhi and his Ministers&rdquo; in the Major Events of Ming History, tracing the likely sources upon which the account was based, and using the sources to correct errors in the text. And the essay will further discuss the editorial and historiographical abilities of the compiler. The Chronicle of Major Political Events of the Ming Dynasty was the most important source for this work. In the entire volume, there were only three entries that did not cite the Chronicle of Major Political Events of the Ming Dynasty. Several of the entries cited no historical sources other than the Chronicle of Major Political Events of the Ming Dynasty, and hence it could be the only source. Because the compiler did not consult the Ming Veritable Records, among the ninety-nine entries in the volume, there were as many as forty-seven errors in dates. And there were eighteen errors in names and titles of individuals. These are the weaknesses of this volume. However, the compiler was able to draw upon works by private historians to recount historical events omitted from the official records. This is the strength of this volume. The narrative completely matches the evaluation in &ldquo;Gu Yingtai&rsquo;s Assessment&rdquo; on the Hongzhi reign regarding the interactions between the Hongzhi emperor and his ministers, that the high officials made endless admonitions of the emperor and the emperor was fairly receptive to their opinions. As for the negative aspects of governance during this reign, the work does not avoid them. And hence, the &ldquo;Emperor Hongzhi and his Ministers&rdquo; chapter in the Major Events of Ming History can be regarded as a fine historical record.</p> <p>&nbsp;</p>

LOGICAL FATALISM AS A PSYCHOLOGICAL FEATURE OF THE ARCHETYPE OF DARGINTS

Globus ◽  
2020 ◽  
Author(s):  
I. Bagandova ◽  
Keyword(s):  
Folk Art ◽  
Point Of View ◽  
Historical Events ◽  
Psychological Feature ◽  
The People ◽  
The Times

This study is devoted to the study of the features of the archetype of the Dargins, the formation of which dates back to the times of paganism and, which was imprinted by both religious ideas and historical events that had a significant impact on the worldview and worldview of the people. This work is the first attempt to analyze the archetype of the Dargins from the point of view of its inherent fatalism on the basis of proverbs, sayings and legends of the Dargin people, which represent the wealth of oral folk art and reflect the specifics of the psychological formation of the people that have been taking shape for millennia

Sign in / Sign up

Export Citation Format

Share Document