Papal Authority, Episcopal Reservation, and Abortion in Sixteenth-Century Italy

Author(s):  
John Christopoulos
1966 ◽  
Vol 3 ◽  
pp. 48-68 ◽  
Author(s):  
J. W. Gray

In March 1851, both archbishops and twenty bishops of the Anglican Church issued a public statement in which they asserted the ‘undoubted identity of the English Church before and after the Reformation’—and we do not have to look far for an explanation of this manifesto; in 1850 the steady trickle of Anglican recruits to Roman Catholicism had been complemented by the so-called ‘Papal Agression’ which re-established Roman Catholic titular sees in England. Undoubtedly, historical conscience played a large part in secessions to Rome, as more and more Anglicans came to feel that the whole constitution of the medieval Ecclesia Anglicana had been fundamentally changed by the abrogation of papal authority in the sixteenth century, and in these circumstances all shades of Anglican opinion were bound to welcome any historical argument which tended to show that the pre-Reformation Church had not been unconditionally subject to Rome, and that its acceptance of the canonical ius commune and papal authority had been free, selective, and discriminating.


Itinerario ◽  
2000 ◽  
Vol 24 (2) ◽  
pp. 62-79
Author(s):  
W.J. Boot

In the pre-modern period, Japanese identity was articulated in contrast with China. It was, however, articulated in reference to criteria that were commonly accepted in the whole East-Asian cultural sphere; criteria, therefore, that were Chinese in origin.One of the fields in which Japan's conception of a Japanese identity was enacted was that of foreign relations, i.e. of Japan's relations with China, the various kingdoms in Korea, and from the second half of the sixteenth century onwards, with the Portuguese, Spaniards, Dutchmen, and the Kingdom of the Ryūkū.


2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.


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