“Fuck Him, He Wasn’t With Us”

Author(s):  
Robert Bussel

This chapter examines the convergence of events that thrust Harold Gibbons into the maelstrom of national politics and led to his estrangement from the Teamsters's hierarchy. It first considers how Gibbons's rifts with Teamsters played out among Local 688's membership in St. Louis, which helped oust Gibbons in the summer of 1973, terminated his political partnership with Ernest Calloway, and signaled the demise of their quest for total person unionism and working-class citizenship. It then discusses Calloway's gradual withdrawal from direct involvement in civil rights activism and union affairs by the end of the 1960s, assuming instead the role of respected community elder. It also describes Gibbons's opposition to the Vietnam War and his difficulty in finding outlets for political expression during the last years of his career, even as he continued with his advocacy of interracial politics and comprehensive strategies for urban revitalization. Finally, it reflects on Calloway's death on December 31, 1989.

1989 ◽  
Vol 25 (4) ◽  
pp. 327-349 ◽  
Author(s):  
Bob M. Gassaway

This article presents and discusses the author's experiences as an Associated Press reporter covering the Vietnam War in the 1960s. The author presents vignettes of some of the people and events that made the greatest impressions on him, along with brief analyses of these stories. Following this he provides a retrospective examination of broader issues related to news coverage, including the emotional makeup of war correspondents, the role of journalists in creating news, and some organizational factors that influence the way news is reported.


2019 ◽  
Vol 11 (1) ◽  
Author(s):  
Philip Poe ◽  
Melody Fisher ◽  
Stephen Brandon ◽  
Darvelle Hutchins ◽  
Mark Goodman

In this article, we consider music as the praxis of ideology in the 1960s within the framework of Burke’s rhetoric of transformation. The 1960s were a period of cultural change in the United States and around the world—the civil rights movement, protests against the Vietnam War, challenges to communism in Eastern Europe, liberation politics around the world. The role of music as a unifying element among those people advocating change is well established in scholarship. We take that consideration of the role of music into a discussion of how music became the praxis of ideology, providing a place where millions of people could advocate for change and be part of the change by interacting with the music.


1981 ◽  
Vol 10 (2) ◽  
pp. 47-50
Author(s):  
Geoffrey Rips

What was known in the United States as the ‘underground press’ – self-published newspapers of the youth counterculture sold at street corners and around campuses in American cities during the 1960s and early 70 s – was once a significant network estimated at over 400 publications. Their hallmark was opposition to US involvement in the Vietnam War, criticism of the authorities, of uncontrolled technology and big business, advocacy of sexual freedom and artistic experimentation and, frequently, the advocacy of marijuana, LSD and other psychedelic drugs. Few of these publications have survived the past ten years, and their disappearance has been variously attributed to the cooling of radical interest after the American withdrawal from Vietnam, as well as to the vague and shifting nature of the ‘hippie’ scene. Complaints by their publishers during the early and mid-seventies that printers refused their business, that office rents suddenly doubled, that advertising was cancelled, that papers were lost – these were seen as local accidents and were rarely reported by the established media. Claims of official or officially-sanctioned harassment were dismissed – even by fellow radicals – as paranoid. Recent research by Geoffrey Rips of the PEN American Center has revealed the extent and variety of official pressure exerted against alternative publications during the Vietnam War period. Using evidence from government hearings like the Church Committee, which reported in 1976, actual FBI documents released to American PEN under the Freedom of Information Act, and other sources, Mr Rips argues that such harassment contributed materially to the closure of certain publications and in general terms constituted a gross infringement on the protection afforded to dissenting opinion and to a free press under the US constitution. We publish edited extracts here from Geoffrey Rips' report which will be published in full by the PEN American Center and the City Lights Press.


2020 ◽  
Vol 65 (1) ◽  
pp. 257-284
Author(s):  
Gábor Vargyas

In this paper, I present a short excerpt from an 18-hour-long Bru life history recorded in 1989 in the Central Vietnamese Highlands among the Bru/Vân Kiều of Quảng Trị. The excerpt sheds light on the circumstances of Christian evangelization among the Bru through the recollections of a Bru man who was not Christian himself but was in contact with the key protagonists of the events, the missionaries and the evangelized Bru people. The interview reveals on how the evangelized and non-evangelized viewed the evangelists. What were the ways of promoting evangelization? Were the Bru impressed by the world of the evangelizers? How did the Bru conceive of the evangelizers? How convincing did they find their arguments? Beside its immanent value, this intercultural encounter has a significance beyond itself insofar as it is situated in and reflective of the icy political and ideological milieu of the Vietnam War in the 1960s–1970s, the impacts of which were still lingering when the recording was made.


Author(s):  
Kenneth Joel Zogry

This chapter covers the tumultuous 1960s at UNC and beyond, and at the Daily Tar Heel. The 1960 Dixie Classic, UNC’s most infamous sports scandal, is discussed, as is a 1961 speech on campus by President John F. Kennedy. The Civil Rights Movement is covered in detail, as Chapel Hill was a center for protest; the student newspaper took on a new activist role during this time, sending reporters across the South to report on Civil Rights events. The infamous Speaker Ban Law is examined in detail, 1963-1968. In 1963 UNC became completely co-educational, and the changes on campus and the issues facing women students is explored, including the role of the sexual revolution, access to birth control, and the fight over legalizing abortion. The major shift in state politics, away from one-party Democratic rule is discussed, and the rise of conservative politician Jesse Helms, who used UNC and the Daily Tar Heel as examples of extreme liberalism and permissiveness to help build his political base. The Vietnam War, the 1969 UNC Foodworker’s Strike, gay rights, and contributions of later renowned cartoonist Jeff MacNelly on the newspaper are other topics in this chapter


2020 ◽  
pp. 73-98
Author(s):  
David Barno ◽  
Nora Bensahel

This chapter explores the role of leadership in military adaptation, which may be the most important factor of all. Adaptable tactical leaders must rapidly assess the battlefield and identify the need for change, remain willing to abandon accepted procedures when required, and candidly advocate for organizational change when needed. At the theater level, adaptive leaders face more challenges in identifying the need for change. They need to actively seek out ideas from throughout the chain of command, and to lead rapid battlefield change within their formations. The chapter examines the successful tactical adaptability of Captain John Abizaid during the 1983 invasion of Grenada and the failed tactical adaptability of Lieutenant Colonel Robert McDade in 1965 during the Vietnam War. It also examines the successful theater adaptability of Field Marshall William Slim during the Burma campaign of World War II, and the failed theater adaptability of General William Westmoreland in Vietnam War.


2021 ◽  
pp. 150-168
Author(s):  
Uta A. Balbier

This chapter explores the transformed religious, economic, and political landscapes in Europe and the United States at the time of Graham’s return to Berlin and London in 1966. It explains why Graham was now facing sharper criticism: the theological climate had shifted even further away from Graham’s rather fundamentalist theology, which now appeared outdated. The 1960s counterculture articulated an increasing consumer critique that zoomed in on Graham’s unconditional support for American business culture and the American way of life. And the Vietnam War, from which Graham never really distanced himself, loomed large over his revival meetings, where he now faced open political protest. But even more so, the increasing secularization of crusade cities such as London and Berlin made it significantly harder to rally support for Graham’s revival work at the same time when Graham’s highly professionalized revivalism was increasingly perceived as secular and formulaic.


Author(s):  
Michele Janette

While the Vietnam War looms large in American national culture of the 20th century, Vietnam, Vietnamese people, and Vietnamese American experiences have been little attended to. Vietnamese American literature engages this erasure both in writing about Vietnamese perspectives on that war and by expanding the signification of “Vietnam” beyond being a synonym for a war. Beginning in the 1960s, Vietnamese American literature in English was dominated for the next few decades by memoirs, largely designed to educate American readers about Vietnamese politics and history. Rather than continuing to offer Vietnam as it appears in much other American literature, as a surreal backdrop to a US psychic wound, these writers narrate Vietnam, Vietnamese people, and Vietnamese Americans with autonomous geographical, philosophical, emotional, and intellectual presence and perspective, and often provide direct analysis and critique of both the South Vietnamese regime and its American ally. In the late 20th and 21st centuries, Vietnamese American literature has diversified in both form and content, expanding the field beyond direct engagement with the Vietnam War and the refugee experience, in work that rewrites canonical Western characters and genres, that challenges normative literary forms as well as social identities, and that explores US racialization, consumerism, and popular culture. In addition to writing Vietnam and Vietnamese American experiences into the national American imaginary landscape, this literature reconfigures the demonized and threatening tropes of the threatening, untrustworthy “gook,” and the passive, dependent “victim” figure, into the socially necessary and beneficial “critical refugee.” Through the experiences of marginalization, trauma, and survival, the critical refugee possesses insights and knowledge necessary for a 21st century of increasing displaced populations, whether from war, famine, or natural disaster. This critical perspective is also more transnational than nationalistic or exilic, exploring both physical and imaginary transnational connections.


Sign in / Sign up

Export Citation Format

Share Document