“Husbands Who Do Not Beat,” or on Gender and Sexuality in Polish American Studies

2021 ◽  
Vol 78 (1) ◽  
pp. 7
Author(s):  
Cieślak ◽  
Müller
Keyword(s):  
American Studies ◽  
Gender And Sexuality

scholarly journals Introduction

2021 ◽  
Vol 27 (3) ◽  
pp. 321-327
Author(s):  
Joseph M. Pierce ◽  
María Amelia Viteri ◽  
Diego Falconí Trávez ◽  
Salvador Vidal-Ortiz ◽  
Lourdes Martínez-Echazábal
Keyword(s):  
United States ◽  
Cultural Differences ◽  
Knowledge Production ◽  
Working Group ◽  
American Studies ◽  
The United States ◽  
Gender And Sexuality ◽  
Special Issue ◽  
Gender And Sexuality Studies ◽  
Hemispheric American Studies

Abstract This special issue questions translation and its politics of (in)visibilizing certain bodies and geographies, and sheds light on queer and cuir histories that have confronted the imperial gaze, or that remain untranslatable. Part of a larger scholarly and activist project of the Feminist and Cuir/Queer Américas Working Group, the special issue situates the relationships across linguistic and cultural differences as central to a hemispheric queer/cuir dialogue. We have assembled contributions with activists, scholars, and artists working through queer and cuir studies, gender and sexuality studies, intersectional feminisms, decolonial approaches, migration studies, and hemispheric American studies. Published across three journals, GLQ in the United States, Periódicus in Brazil, and El lugar sin límites in Argentina, this special issue homes in on the production, circulation, and transformation of knowledge, and on how knowledge production relates to cultural, disciplinary, or market-based logics.

Buddhist Meditation as Strategic Embodiment: An Optative Reflection

2017 ◽  
Author(s):  
Sharon A. Suh
Keyword(s):  
Asian American ◽  
American Studies ◽  
White Supremacy ◽  
Gender And Sexuality ◽  
Asian American Studies ◽  
The Common ◽  
Racialized Other ◽  
Relationship Of ◽  
The Relationship ◽  
Meditative Practices

Chapter 15 seriously scrutinizes the relationship of Buddhism, “one of America’s racialized other religious darlings,” to Asian American studies, which has yet to consistently recognize religion as a legitimate site upon which to map race, gender, and sexuality. Suh argues that “the common Buddhist units of measure and authenticity” —for instance, Orientalized monks and Eastern meditation— “are uncritically reproduced in larger Asian American discourses that continue to overlook the non-devotional and non-meditative practices of Buddhist laity.” Suh’s essay counters those discourses by engendering a new way of seeing meditation politics as a means of ameliorating bodily alienation and internalized white supremacy.

scholarly journals Rebranding James Baldwin and His Queer Others

2020 ◽  
Vol 6 (1) ◽  
pp. 199-229
Author(s):  
Magdalena J. Zaborowska ◽  
Nicholas F. Radel ◽  
Nigel Hatton ◽  
Ernest L. Gibson
Keyword(s):  
Cold War ◽  
American Literature ◽  
Queer Theory ◽  
American Studies ◽  
African American Literature ◽  
Life Story ◽  
James Baldwin ◽  
Gender And Sexuality ◽  
Transnational American Studies ◽  
Self Discovery

“Rebranding James Baldwin and His Queer Others” was a session held at the annual meeting of the American Studies Association in November 2019 in Honolulu, Hawaii. The papers gathered here show how Baldwin’s writings and life story participate in dialogues with other authors and artists who probe issues of identity and identification, as well as with other types of texts and non-American stories, boldly addressing theoretical and political perspectives different from his own. Nick Radel’s temporal challenge to reading novels on homoerotic male desire asks of us a leap of faith, one that makes it possible to read race as not necessarily a synonym for “Black,” but as a powerful historical and sexual trope that resists “over-easy” binaries of Western masculinity. Ernest L. Gibson’s engagement with Beauford Delaney’s brilliant art and the ways in which it enabled the teenage Baldwin’s “dark rapture” of self-discovery as a writer reminds us that “something [has been missing] in our discussions of male relationships.” Finally, Nigel Hatton suggests “a relationship among Baldwin, Denmark, and Giovanni’s Room that adds another thread to the important scholarship on his groundbreaking work of fiction that has impacted African-American literature, Cold War studies, transnational American studies, feminist thought, and queer theory.” All three essays enlarge our assessment of Baldwin’s contribution to understanding the ways gender and sexuality always inflect racialized Western masculinities. Thus, they help us work to better gauge the extent of Baldwin’s influence right here and right now.

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