The essentially contested notion of the modern, and its cognate form “modernity,” have a long intellectual history. The emergence and dissemination of the idea of Western modernity was sometimes forcibly imposed, sometimes partially accepted, and sometimes resisted at different levels around the globe. Recent thinking has produced qualifiers and prefixes such as “unfinished,” “post-,” “late,” “inevitable,” “contra-,” “alternative,” or “differential” in relation to modernity, to signal the striations in approaches, interpretations, and positionings towards what is seen as an umbrella term to describe the various possibilities that can be brought to bear while considering contentions in contemporary theory and praxis. The social, economic, political, and cultural dimensions of this field of forces are integral to any thinking about the symbolic contestation of power in multifarious re-imaginings. This article charts this field mainly by looking at the colonial and postcolonial interventions that have impacted and continue to the present day to effect and inflect cultures and societies, including pressing questions of climate change and cyberspace. Sections are sorted under the following sub-headings: “The vortex of the modern;” “Subaltern bodies, subversive minds;” “Communication and colonization: Re-inventing space and time;” “Borderlands, migrations, identities;” and “Contesting and controlling cyberspace.”
Review of Moser, Keith, and Ananta Ch. Sukla (eds). Imagination and Art: Explora-tions in Contemporary Theory. Brill, 2020.
