scholarly journals ITK Mesh IO Framework

2010 ◽  
Author(s):  
Wanlin Zhu
Keyword(s):  
File Format ◽  
Reading And Writing ◽  
Image File ◽  
File Formats ◽  
Different Types ◽  
Image File Format ◽  
The Moment

ITK has a powerful and flexible image IO framework. Reading and writing different types of image file is straightforward. The image IO could be easily extended by writing a specific image IO class for a new image file format. Whereas, there is no such framework for easily reading and writing itk::Mesh/itk::QuadEdgeMesh, At the moment, only a few specific classes to read vtk polydata format and is not easily to be extended. This paper describes our contribution to itk for providing a mesh IO framework which could be used for reading and writing some commonly used mesh file formats. The mesh IO classes worked well for both itk::Mesh and itk::QuadEdgeMesh.

scholarly journals Ontology of Heterogeneous Image File Formats and their Disparate Applications

2021 ◽  
Vol 10 (6) ◽  
pp. 3138-3143
Keyword(s):  
Digital Images ◽  
File Format ◽  
Image File ◽  
Vector Type ◽  
File Formats ◽  
The World ◽  
Basic Image ◽  
Image File Format ◽  
Image Format ◽  
Image Type

Different image formats are available in the world today which are used for various purposes, this paper elaborates the Ontology of different Image File Formats and their various applications. Digital images are saved in various Image File Formats which have different properties and features which are ideal for a particular use. A digital image is primarily classified into two types, raster or vector type. Image format elucidate how the information in the image will be stored. Image file format is a systematic way of storing and arranging digital images. Image file format can store data in compressed format (which may be lossy or lossless), uncompressed format or a vector format. Some Image format are suitable for a particular purpose while some are not. TIFF Image type is good for printing whereas PNG or JPG, are best for web. Analysis of the basic Image File Format have been carried out practically and the result is displayed in the coming section

scholarly journals A Streaming IO Base Class and Support for Streaming the MRC and VTK File Format

2010 ◽  
Author(s):  
Bradley Lowekamp ◽  
David Chen
Keyword(s):  
File Format ◽  
Image File ◽  
File Formats

This paper describes our contribution of three new classes to the Insight Toolkit community. We present a new ImageIO base class for streaming image file, along with two derived ImageIO classes for the VTK and the MRC file formats.

A General Image File Format

1991 ◽  
pp. 471-476
Author(s):  
D. A. G. Wicks ◽  
G. J. Barker ◽  
D. L. Plummer
Keyword(s):  
File Format ◽  
Image File ◽  
Image File Format

The KEA image file format

2013 ◽  
Vol 57 ◽  
pp. 54-58 ◽  
Author(s):  
Peter Bunting ◽  
Sam Gillingham
Keyword(s):  
File Format ◽  
Image File ◽  
Image File Format

Compound Image File Format (Part 6)

2009 ◽  
pp. 121-134
Author(s):  
Frederik Temmermans ◽  
Tim Bruylants ◽  
Simon McPartlin ◽  
Louis Sharpe
Keyword(s):  
File Format ◽  
Image File ◽  
Image File Format ◽  
Compound Image

scholarly journals Imagens cíclicas: Gif através do Vaporwave

2019 ◽  
Vol 24 (40) ◽  
Author(s):  
Ícaro Estivalet Raymundo
Keyword(s):  
Visual Culture ◽  
File Format ◽  
Image File ◽  
Image File Format ◽  
Digital Visual Culture ◽  
The Web

Pretende-se aqui dar atenção aos regimes que se instauram no campo da imagem com a transformação do espectador em interator, sendo ela um elemento pivotal para o uso de interfaces humano/computador. Como recorte da vasta paisagem virtual, abordo o aspecto imagético que é explorado pela estética Vaporwave, gênero artístico essencialmente digital surgindo em 2010. Mais especificamente, abordo funções do GIF, e como sua natureza cíclica e de baixa resolução representa um distinto fenômeno ocorrente na tela do computador, em comparação com a tela da televisão e do cinema.AbstractThe intention here is to make a cut on the virtual landscape through theimagetic aspects that are explored by the Vaporwave aesthetics, artistic genre essentially digital emerged around 2010. More specifically, it approaches the GIF,image file format, and the regimes of creation and visualization of those files on the web. As deployments of the digital visual culture, it investigates branches and different ways of the GIF manifestation for Vaporwave.

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