Hermann Broch 1935: Der Roman Die Verzauberung im Kontext der ›Weltablehnung‹ und ihrer zweideutigen Folgen

2021 ◽  
pp. 445-486
Author(s):  
Thomas Borgard
Keyword(s):  
Author(s):  
George Pattison

A Rhetorics of the Word is the second volume of a three-part philosophy of Christian life. It approaches Christian life as expressive of a divine calling or vocation. The word Church (ekklesia) and the role of naming in baptism indicate the fundamental place of calling in Christian life. However, ideas of vocation are difficult to access in a world shaped by the experience of disenchantment. The difficulties of articulating vocation are explored with reference to Weber, Heidegger, and Kierkegaard. These are further connected to a general crisis of language, manifesting in the degradation of political discourse (Arendt) and the impact of new communications technology on human discourse. This impact can be seen as reinforcing an occlusion of language in favour of rationality already evidenced in the philosophical tradition and technocratic management. New possibilities for thinking vocation are pursued through the biblical prophets (with emphasis on Buber’s and Rosenzweig’s reinterpretation of the call of Moses), Saint John, and Russian philosophies of language (Florensky to Bakhtin). Vocation emerges as bound up with the possibility of being name-bearers, enabling a mutuality of call and response. This is then evidenced further in ethics and poetics, where Levinas and Hermann Broch (The Death of Virgil) become major points of reference. In conclusion, the themes of calling and the name are seen to shape the possibility of love—the subject of the final part of the philosophy of Christian life: A Metaphysics of Love.


1979 ◽  
Vol 53 (3) ◽  
pp. 507 ◽  
Author(s):  
M. Bachem ◽  
Ernestine Schlant
Keyword(s):  

Author(s):  
Nina Engelhardt

Chapter 2, focusing on Broch’s The Sleepwalkers, analyses relations between mathematics and turn-of-the-century scepticism of language and investigation of form. The novel trilogy engages with research on the relations of mathematics and language, particularly by Gottlob Frege, and with the new approaches that emerge with it: the formalised language of analytic philosophy and literary formalism’s concentration on language as the basic building block of texts. The chapter also investigates how a competition of methodologies in modern mathematics informs the innovative form of the trilogy: it argues that the stylistically experimental third novel is informed by the central debate in the foundational crisis of mathematics, and traces the trilogy’s visions of total disintegration and valuelessness and, on the other hand, renewal through a counter-movement towards a non-rational element of common intuition to formalist and intuitionist approaches in mathematics. With its main focus on ways in which mathematics features as a structural model in The Sleepwalkers, this chapter shows how the trilogy presents mathematics as deeply implicated in the cultural development and explores the role of its modernist transformation for the form of the trilogy and Broch’s conception of modernist literature.


2018 ◽  
pp. 35-60
Author(s):  
John McCormick
Keyword(s):  

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