Black bodies at risk: Exploring the corporeal iconography of the anti-police brutality movement

Black bodies at risk are in constant conversation with each other. The Black witness who films a fatal police encounter on her phone is talking to the Black victim, promising not to leave him in his final moments. The distant Black witness who sees that video then talks back to the witness and the victim, creating powerful imagery that amplifies the tragic footage. In this manner, those working under the broad banner of the Black Lives Matter movement have reimagined a dynamic Black visual public sphere, where moral arguments about police brutality are sustained through an assemblage of strategic visual appeals. In this essay, I argue that this call-and-response of Black corporeal iconography forms the vanguard of embodied protest journalism in the 21st century. I explain how the concepts of “strong objectivity,” which is rooted in feminist standpoint theory, help validate and liberate the flesh witnessing of the marginalized. Moreover, I offer two broad categories of imagery that Black activists create most often in response to fatal police shootings: historic juxtapositions and symbolic deaths.

Beyond thought:

The following is a remixed excerpt from a book-length manuscript titled My Life as an Artificial Creative Intelligence. The book is constructed as a theoretical fiction composed by the “author” Mark Amerika in collaboration with a GPT-2 language model. The book was written as an improvisational call-and-response writing performance with an AI text generator and is arranged as a series of intellectual provocations that investigate the creative process across the human-nonhuman spectrum. Critically reflecting on whether or not creativity itself is, at root, a nonhuman information behavior that emerges from an onto-operational presence experiencing an otherworldly aesthetic sensibility, the author playfully engages with his cyberpunk imagination to simultaneously embrace and problematize human-machine collaborations. Contrary to most contemporary AI research that attempts to build AI systems that perform more like humans, Amerika flips the script and, in My Life as an Artificial Creative Intelligence, questions how his own “psychic automatism” is itself a nonhuman function strategically designed to reveal the poetic attributes of programmable worlds still unimagined.

A Phenomenology of Utterance and Prophetic Teaching in the Threshold

In this essay, the authors explore the phenomenon of utterance we find in speech and teaching. Jean-Luc Marion’s third phenomenological reduction serves as a methodological foundation for this exploration which moves through Biblical literature and autobiography – both centred on the story of the election of Samuel – before leading into a meditation on the Call of and Response to the Other. The Call and Response guide the essay to a theory of prophetic teaching emerging within its phenomenology of utterance that situates itself between philosophical anthropology and philosophical theology, and between Jewish and Catholic traditions.

Echolocation as theory of digital sociality

Public attention on disconnection and digital detox focuses on the health and wellbeing associated with disconnecting without much attention on what happens to selfhood or identity when abruptly disconnected. In an age of ubiquitous internet and “always on” use practices, what does disconnection do? Focusing on what happens when we disconnect, at the micro level, reveals interesting echolocative communication patterns otherwise not noticed. Abruptly stopping the continuous call and response pattern of interaction among youth produces deep anxieties and feelings of existential vulnerability that are commonly brushed aside. The work in this article is part of a larger project related to echolocation as a theory of communication. In an era of constant connectivity and “always on” or more importantly, “always available” internet, the seemingly seamless and steady state of connectivity is, at the more granular level, a process of continual echolocation, in the way we might think of sonar, whereby certain animals like bats determine the shape and location of objects in space by sending steady streams of signals and attending closely to the quality of the echo. Echolocation challenges researchers and theorists to reconsider the core elements and processes in an era of continuous, machinic as well as human interaction in multiple and massive networks of information flow. This does not mean we no longer experience dyadic (two person) or intra interactions, of course, but echolocation, the process of moving, navigating, and positioning through radar-like call and response provides a promising model to apply to how humans make sense of who they are in the complexities of continuous and tangled data flows.

Conjuring the Ghost: A Call and Response to Haints

This article discusses haunting as a condition and strategy for Black women in their lived and literary experiences. I use the haint as a key figure for understanding Black women's liminal state as both the ones haunted and the thing haunting and focus on one of the haint's primary manifestations: the hag. Throughout the essay I unpack maligning myths of this specter and center the works of Phillis Wheatley and Lucille Clifton to refigure the hag as a spiritual and ancestral presence.

Class Act and Challenge

This chapter gives a historic explication of the Nicholas Brothers’ style of jazz tap dancing that was simultaneously a class act—a precision-style dancing of impeccable execution—and a mode of call-and-response interplay in which the brothers challenged each other in playful camaraderie to “up” each other in steps. At the turn of the century, concurrent with musical comedy dance teams working in the blackface tradition, an elite group of black performers rejected the minstrel show stereotype of the grinning-and- shuffling blackface clown, insisting upon the perfection of sound, step, and manner. Such pioneering class-act teams as Cole and Johnson, Johnson and Dean, and Greenlee and Drayton aspired to a purely artistic expression that was driven by the desire for respectability and equality on the American concert stage. The Nicholas Brothers transformed the fierce competition of the challenge dance by combining their specialties in building their routine to a climax; and trading rhythms back and forth in a lively and witty dialog that developed complex rhythmical ideas.

From Meditation to Bliss: Achieving the Heights of Progressive Spiritual Energy through Kirtan Singing in American Gaudiya Vaishnava Hinduism

Kirtan is a musical worship practice from India that involves the congregational performance of sacred chants and mantras in call-and-response format. The style of kirtan performed within Gaudiya Vaishnava Hinduism is an expression of Bhakti Yoga, “the yoga of love and devotion”, and focuses on creating a personal, playful, and emotionally intense connection between the worshipper and their god—specifically, through words and sounds whose vibration is believed to carry the literal presence of Krishna. Kirtan is one of many Indian genres that uses musical techniques to move participants through a progression of spiritual states from meditation to ecstasy. Kirtan-singing has become internationally popular in recent decades, largely thanks to the efforts of the Hare Krishna movement, which has led to extensive hybridization of musical styles and cultural approaches to kirtan adapted to the needs of a diasporic, globalized community of worshippers. This essay explores the practice of kirtan in the United States through interviews, fieldwork, and analysis of recordings made at several Krishna temples and festivals that demonstrate the musical techniques that can be spontaneously deployed in acts of collective worship in order to create intense feelings of deep, focused meditation and uninhibited, expressive bliss.

Human Spirituality: Jean-Louis Chrétien and the Vital Side of Speech

Jean-Louis Chrétien founded his phenomenological enquiry on an analysis of the word as defined by the call and response link. His analysis provides an in-depth approach to spiritual experience as a basis for authentic religious experience. The description of the theoretical sites in which he confronts the theme of the spirit (vital breath, Holy Spirit, inspiration of Scripture, and spiritual life and prayer) determines some fixed points that allow us to define spiritual experience as intersubjective and fleshly, and therefore, not reducible to solipsism and intimism.

Call-and-Response

We are proud to introduce this special issue that was inspired by the 2019 International Girlhood Studies Association (IGSA) conference at the University of Notre Dame (IGSA@ND). At that time, we were not yet acquainted with each other beyond exchanging pleasantries and knowing of each other’s academic profiles. Yet we came together as three co-editors and scholars committed not only to the diversification of girlhood studies but also to the larger project of social justice for all. We want to promote such work through this special issue and, in the process, expand perspectives and practices within the field of girlhood studies, as many before us have done.