scholarly journals Evaluation between Virtual Acoustic Model and Real Acoustic Scenarios for Urban Representation

2018 ◽  
Author(s):  
Josep Llorca ◽  
Héctor Zapata ◽  
Jesús Alba ◽  
Ernest Redondo ◽  
David Fonseca
Keyword(s):  
Acoustic Model ◽  
Urban Representation

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

ACOUSTIC MODEL APPLICATION TO MOBILE ROBOT GUIDANCE

2012 ◽  
Vol 71 (17) ◽  
pp. 1589-1597 ◽  
Author(s):  
l.Sh. Nevlyudov ◽  
A.M. Tsimbal ◽  
S.S. Milyutina ◽  
V.Y. Sharkovsky
Keyword(s):  
Mobile Robot ◽  
Acoustic Model ◽  
Model Application

Subword tokenization based on DNN-based acoustic model for end-to-end prosody generation

2019 ◽  
Author(s):  
Masashi Aso ◽  
Shinnosuke Takamichi ◽  
Norihiro Takamune ◽  
Hiroshi Saruwatari
Keyword(s):  
Acoustic Model ◽  
End To End ◽  
Prosody Generation

scholarly journals Acoustic Modeling and Vibration Characteristics of Supersonic Inlet Buzz

Energies ◽  
2020 ◽  
Vol 13 (8) ◽  
pp. 2048
Author(s):  
Jianfeng Zhu ◽  
Wenguo Luo ◽  
Yuqing Wei ◽  
Cheng Yan ◽  
Yancheng You
Keyword(s):  
Numerical Simulations ◽  
Pressure Oscillation ◽  
Resonant Mode ◽  
Acoustic Model ◽  
Oscillation System ◽  
Nonlinear Simulation ◽  
Supersonic Inlet ◽  
Nonlinear Amplification ◽  
Oscillation Damping ◽  
The Ideal

The buzz phenomenon of a typical supersonic inlet is analyzed on the basis of numerical simulations and duct acoustic theory. Considering that the choked inlet could be treated as a duct with one end closed, a one-dimensional (1D) mathematical model based on the duct acoustic theory is proposed to describe the periodic pressure oscillation of the little buzz and the big buzz. The results of the acoustic model agree well with that of the numerical simulations and the experimental data. It could verify that the dominated oscillation patterns of the little buzz and the big buzz are closely related to the first and second resonant mode of the standing wave, respectively. The discrepancies between the numerical simulation and the ideal acoustic model might be attributed to the viscous damping in the fluid oscillation system. In order to explore the damping, a small perturbation jet is introduced to trigger the resonance of the buzz system and the nonlinear amplification effect of resonance might be helpful to estimate the damping. Through the comparison between the linear acoustic model and the nonlinear simulation, the calculated pressure oscillation damping of the little buzz and the big buzz are 0.33 and 0.16, which could be regarded as an estimation of real damping.

scholarly journals Audio-to-score singing transcription based on a CRNN-HSMM hybrid model

2021 ◽  
Vol 10 ◽  
Author(s):  
Ryo Nishikimi ◽  
Eita Nakamura ◽  
Masataka Goto ◽  
Kazuyoshi Yoshii
Keyword(s):  
Hybrid Model ◽  
Viterbi Algorithm ◽  
Language Model ◽  
Expressive Power ◽  
Acoustic Model ◽  
Musical Language ◽  
Musical Score ◽  
Singing Voice ◽  
Generative Process ◽  
Music Signal

This paper describes an automatic singing transcription (AST) method that estimates a human-readable musical score of a sung melody from an input music signal. Because of the considerable pitch and temporal variation of a singing voice, a naive cascading approach that estimates an F0 contour and quantizes it with estimated tatum times cannot avoid many pitch and rhythm errors. To solve this problem, we formulate a unified generative model of a music signal that consists of a semi-Markov language model representing the generative process of latent musical notes conditioned on musical keys and an acoustic model based on a convolutional recurrent neural network (CRNN) representing the generative process of an observed music signal from the notes. The resulting CRNN-HSMM hybrid model enables us to estimate the most-likely musical notes from a music signal with the Viterbi algorithm, while leveraging both the grammatical knowledge about musical notes and the expressive power of the CRNN. The experimental results showed that the proposed method outperformed the conventional state-of-the-art method and the integration of the musical language model with the acoustic model has a positive effect on the AST performance.

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