Earth Art

2017 ◽  
Vol 22 (1) ◽  
pp. 135-157
Author(s):  
David Wood ◽  
Keyword(s):  
Earth Art

Deep Time, Dark Time

2018 ◽  
pp. 99-128
Author(s):  
Tavia Nyong'o
Keyword(s):  
Public Art ◽  
Women Of Color ◽  
Gilles Deleuze ◽  
Deep Time ◽  
Feminist Performance ◽  
Earth Art ◽  
Dark Time ◽  
Harryette Mullen ◽  
Performance Interventions ◽  
Kara Walker

By engaging interventionist art by women of color at two different scales—ephemeral body/earth art and monumental public art—this chapter supplements post-humanist theories of “deep time”—in particular, the temporality of the Anthropocene—with a concept of “dark time.” The intensive, alchemical, and obscure temporality of “dark time” is crucial to understanding black and brown feminist performance interventions against the violence of expropriative capitalism in the Americas. The chapter reads the art work of Kara Walker and Regina José Galindo through the poetry of Harryette Mullen and philosophy of Gilles Deleuze.

The ethics of earth art

2011 ◽  
Vol 48 (07) ◽  
pp. 48-3655-48-3655
Keyword(s):  
Earth Art

THE ARTIST AS GEOGRAPHER: RICHARD LONG'S EARTH ART

1987 ◽  
Vol 39 (4) ◽  
pp. 450-456 ◽  
Author(s):  
William D. Romey
Keyword(s):  
Earth Art

Bloom

2015 ◽  
Vol 5 (2) ◽  
pp. 78-85
Author(s):  
Ken Goldberg ◽  
Sanjay Krishnan ◽  
Fernanda Viégas ◽  
Martin Wattenberg
Keyword(s):  
Real Time ◽  
Vertical Velocity ◽  
Rate Of Change ◽  
The Internet ◽  
Vertical Position ◽  
Second Derivative ◽  
Horizontal Position ◽  
Earth Art ◽  
Time Changes

In Bloom, an Internet-based earth-art-work, minute movements of the Hayward Fault in California are detected by a seismograph, transmitted continuously via the Internet, and processed to generate an evolving field of circular blooms. The size and position of each bloom is based on real-time changes in Earth’s motion, measured as a vertical velocity continuously updated from the seismometer. The horizontal position of blooms is based on time, and their vertical position is based on magnitude of the second derivative or rate of change. Large movements create large blooms; small jitters create tiny buds. This essay presents several stills from the Bloom project, and an essay on the work and its creator, Ken Goldberg.

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