The Third Revolution

2012 ◽  
Vol 24 (1) ◽  
pp. 1-56
Author(s):  
Oskar Gruenwald ◽  

This essay explores the intellectual and spiritual ferment in Tito's Yugoslavia focusing on its two major protagonists, Milovan Djilas and Mihajlo Mihajlov, Their quest for an open society and the first freedoms-thought, speech, press, assembly, and association-inspired a phenomenal rebirth ofcivic culture and civil society that toppled commmist rule in the 1989 peaceful revolution which swept across Eastern Europe and shook the Kremlin, This Third Revolution is set in the larger framework recalling the unique features of Yugoslavia's "independent road to socialism," following the Tito-Stalin split in 1948, which made "Djilasism" possible. Titoism as a case study of modernization highlights the promises and pitfalls of Marxist-Leninist ideology whose utopia of a classless society remained a straitjacket limiting efforts at liberalization and democratization. Thus, post-Tito Yugoslavia became a cauldron of nationalist contestations for Tito's mantle of leadership. Mihajlov warned of the consequences of ethnic or identity politics in a multi-ethnic state, resulting in the division of post-Tito Yugoslavia along national/ethnic lines, which triggered the 1990s civil war and "ethnic cleansing" on all sides. The essay concludes that both Djilas and Mihajlov championed freedom. Yet Mihajlov's is the more enduring and universally redeeming vision whose transcendent grounding in a Christian metaphysics resonates across time and space, ennobling cultures.

Author(s):  
Elizabeth Plantan

How do autocrats manage civil society? I develop a typology of authoritarian responses to civil society and show how leaders employ selective policies to adjudicate among risks and benefits in the third sector. Using data on laws managing foreign support of civil society in China and Russia, I find evidence of selective implementation that reveals which groups are seen as threatening or beneficial. While there are some similarities across the two countries, I find a divergence in their response to environmental groups, who are selectively repressed or neglected in Russia but selectively encouraged or co-opted in China. Using fieldwork interviews, I conduct a case study to show that while environmental groups in both countries pose some risk, the key difference is their perceived benefit.


Author(s):  
Leonardo Cardoso

This chapter focuses on three hip hop scenes in Rio de Janeiro and São Paulo, Brazil’s two largest cities. It begins with a discussion of democracia racial (racial democracy), a sociohistorical hypothesis that was taken up as a national point of pride. It argues that the concept is crucial to understand the relations between race and hip hop in the country. The remainder of the chapter focuses on three scenes between the 1980s and the 2010s. It starts with funk carioca, a highly popular dance-oriented music that took off at the funk parties. The second scene is São Paulo rap, which gained national attention with its more dance-averse laid-back beats and scathing commentary on violence and racism. The third and final case study examines funk ostentação, a variant of funk carioca centered on conspicuous consumption. The chapter concludes with a discussion of more recent shifts in hip hop, popular culture, and identity politics in the country.


2018 ◽  
Vol 6 (1) ◽  
pp. 1-2
Author(s):  
Ibrahim Sirkeci

Transnational Marketing Journal is dedicated to disseminate scholarship on cross-border phenomena in marketing by acknowledging the importance of local and global or in other words, underlining the transnational practices marked by national and local characteristics in a fluid fashion spreading over more than one national territory. The first article by Paulette Schuster looks into “falafel” and “shwarma” in Mexico and discusses the perception of Israeli food in Mexico. The second article is a case study illustrating a critical account of cultural dimensions formulated by Schwarz using the value surveys data. The third article in the issue is a qualitative study of the negative attitudes of millennials torwards mobile marketing. 


2017 ◽  
Vol 24 (2) ◽  
pp. 187-204
Author(s):  
Charles Cathcart

Sejanus His Fall has always been a succès d'estime rather than a popular triumph. Neverthless, there was an odd and pervasive valency for the speech that opens the play's fifth act, a speech that starts, “Swell, swell, my joys,” and which includes the boast, “I feel my advancèd head/Knock out a star in heav'n.” The soliloquy has an afterlife in printed miscellanies; it was blended with lines from Volpone's first speech; the phrase “knock out a star in heav'n” was turned to by preachers warning of the sin of pride; John Trapp's use of the speech for his biblical commentary was plundered by John Price, Citizen, for the polemic of 1654, Tyrants and Protectors Set Forth in their Colours; and in the year between the Jonson Folio of 1616 and the playwright's journey to Scotland, William Drummond of Hawthornden borrowed directly from the speech for his verse tribute to King James. For all Jonson's punctilious itemising of his tragedy's classical sources, his lines were themselves shaped by a contemporary model: John Marston's Antonio and Mellida. What are we undertaking when we examine an intertextual journey such as this? Is it a case study in Jonson's influence? Is it a meditation upon the fortunes of a single textual item? Alternatively, is it a study of appropriation? The resting place for this essay is the speech's appearance in the third and final edition of Leonard Becket's publication, A Help to Memory and Discourse (1630), an appearance seemingly unique within the Becket canon and one that suggests that Jonson's verse gained an afterlife as a poem.


Author(s):  
C. Claire Thomson

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.


2002 ◽  
Vol 52 (3) ◽  
pp. 327-345 ◽  
Author(s):  
T. Kravtseniouk

This paper shows the principal features of merger control in selected transition economies of Central and Eastern Europe (CEE), namely Hungary, Romania and Slovenia, by applying case study methodology. The presented findings are based on the analysis of Hungarian, Romanian and Slovenian competition law and merger rulings reached by the Competition Offices of these countries. A substantial part of the conclusions is drawn from a sample of 42 merger applications processed by the Office of Economic Competition of Hungary between 1994 and 2000. The results of empirical analysis demonstrate the considerable flexibility of merger control in the studied countries, its orientation towards the future of domestic markets and a close link with industrial policy. The paper also highlights the areas of interdependence of competition policy and transition and argues that merger control in the studied CEE countries may be regarded as currently adequate to the requirements imposed by transition.


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