African American art: Harlem Renaissance, civil rights era, and beyond

2013 ◽  
Vol 50 (11) ◽  
pp. 50-5985-50-5985
African Arts ◽  
1992 ◽  
Vol 25 (2) ◽  
pp. 28
Author(s):  
Freida High W. Tesfagiorgis ◽  
Robert V. Rozelle ◽  
Alvia J. Wardlaw ◽  
Maureen A. McKenna

2012 ◽  
Vol 86 (1-4) ◽  
pp. 88-123
Author(s):  
Valerie J. Mercer ◽  
Mora J. Beauchamp-Byrd ◽  
MaryAnn Wilkinson ◽  
Stephanie James ◽  
Nancy Sojka ◽  
...  

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Afifah Indriani ◽  
Delvi Wahyuni

This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.


Author(s):  
Cameron Leader-Picone

This chapter analyzes representations of Hurricane Katrina in African American literature to argue that the storm served to illustrate the entrenchment of structural racism and the importance of a specifically racialized tradition in African American literature. Adopting the theoretical framework of “slow violence,” the chapter analyzes two novels which depict both the storm and its aftermath: Jesmyn Ward’s Salvage the Bones (2011) and Kiese Laymon’sLong Division (2013). In the context of the early twenty-first century, these representations of Katrina do not displace the social advancements of African Americans but instead force recognition of the incompleteness not only of specific political battles but also of ongoing race, gender, and class-based narratives, thereby questioning the optimism of a rhetoric of post-Blackness. In particular, the novels establish continuity between Civil Rights Era traumas and struggles and Hurricane Katrina to push against a rhetoric focused on the transcendence of the past.


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