scholarly journals INSTITUTIONAL RACISM IN AMERICAN POST-CIVIL RIGHTS MOVEMENT IN DEAR MARTIN BY NIC STONE (2017)

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Afifah Indriani ◽  
Delvi Wahyuni

This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.

2017 ◽  
Vol 14 (2) ◽  
pp. 515-534 ◽  
Author(s):  
Kristen M. Lavelle

AbstractWhites’ sense of their racial vulnerability has been established as a key facet of U.S. post-civil rights racial ideology. This paper analyzes Whites’ victim claims attached to a historical era, via recent in-depth interviews with elder White Southerners, and argues that, through invoking civil rights-era racial vulnerabilities—mistreatment from social changes and African Americans—White Southerners downplay institutional racism, delegitimize the Civil Rights Movement, and construct White innocence and Black pathology. In contrast, younger Whites’ victim claims assert Whites as racially innocent and equitably vulnerable to racism, but these narratives of the racial past achieve similar ends. By constructing the civil rights era as dangerous and unjust, elder White Southerners lay claim to a lifelong nonracist identity and deny systemic racism. This analysis suggests that White threat and victim narratives are not products of a post-civil rights milieu, but rather are generated by Whites’ use of racial framing to construct a sense of self, other, and society.


2010 ◽  
Vol 8 (3) ◽  
pp. 897-898
Author(s):  
Robert Gooding-Williams

This is a timely, engaging, and illuminating study of Black Nationalism. The book's “fundamental project,” Melanye T. Price writes, “is to systematically understand individual Black Nationalism adherence among African Americans in the post-Civil Rights era” (p. 60). Black Nationalism has a long history in African American politics, but with the demise of Jim Crow and the election of our first black president, we may reasonably wonder whether ordinary African American citizens are disposed to endorse it. Price's book is important because it addresses this question head-on, defending the thesis that a renewal of Black Nationalism remains a viable possibility in post-Obama America.


2018 ◽  
Author(s):  
Michael Bader ◽  
Siri Warkentien

The Civil Rights Movement ushered in a new era of racial tolerance. One reflection of this tolerance is the diminishing occurrence of White flight: in 2010, only one in one hundred neighborhoods is all-White. Although some have declared the "end of segregation" based on this news, I document how ``integrated'' neighborhoods are actually fragmented into many different types of racial change. This means that some nominally integrated neighborhoods have less in common with one another than they do with adjacent segregated neighborhoods. Others, however, appear to maintain stable integration across many decades. I consider the historical, geographic, and demographic factors that can help explain how neighborhoods end up following different trajectories. I argue that this fragmented integration should cause us to think more deeply about what integration means and make policies that address the foundation of spatial inequality in the post-Civil Rights Era.


Author(s):  
Eden Osucha

This chapter examines fictional depictions of African American presidents as a popular trope in U.S. film, television, and literature, as producing a discourse of “black presidentialism” that implicitly embeds a logic of passing that comes into relief in sketch-comedy performances by Richard Pryor and David Chappelle. This chapter argues that Chappelle’s “counterburlesque” as “Black President Bush,” which rearticulates George W. Bush’s Iraq War policy and its justifications rearticulates in terms of black hypermasculinity and street vernacularities, exposes how popular culture’s discourse of black presidentialism, in its post–Civil Rights era instantiations, invokes what the traditional passing narrative understands as the disconnect between its protagonist’s appearance and presumed essence of his or her identity, with acute attention to the role gender plays in racial semblance. In the case of the black president trope, that dualism is recoded as the tension between the abstracted white manhood of the office of the presidency and black masculine racial particularity.


2018 ◽  
Vol 90 (1) ◽  
pp. 141-170
Author(s):  
Long Le-Khac

AbstractThis essay defines the problem of bildungsroman hermeneutics for literary criticism and social policy in the post–civil rights era. Examining critical responses to Sandra Cisneros’s The House on Mango Street, it argues that the traditional bildungsroman exerts a powerful hold on interpretations of minority mobility. Bildungsroman hermeneutics understands social relations as organized around individual development. This model undermines the collective politics many critics sense in Cisneros’s text and obscures her revisions of the genre. Furthermore, bildungsroman hermeneutics intersects with neoconservative arguments that helped to roll back civil rights reforms and stymie government interventions. To address the inequalities enduring after civil rights we must circumvent an individual-centered template that has shaped plots of narrative and social change. Part of a broader effort to decenter the bildungsroman (including the work of Maxine Hong Kingston and Gloria Naylor), Cisneros’s text can help us do so, if we can learn to read it otherwise.


2020 ◽  
pp. 160-166
Author(s):  
Kim T. Gallon

The epilogue briefly recounts the history of African American sexuality in the Black Press during the interwar years. The concluding chapter also briefly discusses the Black Press’s coverage and representations of sexuality during World War II through the Civil Rights Movement. National attention on African Americans’ struggles for civil rights inspired black newspapers to strike a more staid approach to covering news. Sex scandals, lurid crime stories, and homosexuality did not fit the picture of “respectable negroes” deserving of full citizenship. In the post-civil rights era, black newspaper circulation took a precipitous fall. Finally, the closing chapter offers a way to think about contemporary black news media by suggesting that discussions of sexuality have migrated to social media spaces such as Facebook and Twitter.


Author(s):  
Timothy Parrish

Timothy Parrish’s “Ralph Ellison’s Three Days: The Aesthetics of Political Change” argues that in Three Days, Ellison transcends the novel form, becoming an epic poet through prose that resembled fiction, history, and myth simultaneously, creating what he calls Ellison’s Book of America. As a true modernist novelist, kin to Louis Armstrong and James Joyce, Ellison understood that the modern novel is never truly finished; like Robert Musil’s A Man Without Qualities, whose aesthetic premise depended on its not being finished, Three Days both rejects and creates history. Parrish terms Ellison “the great modernist redactor of African American experience.” In ways that Ellison could not recognize, he did not finish the second novel because it could not be finished. Like the Civil Rights movement from which it emerged, Three Days is an incomplete project, unable to end “until the story of America and its struggle to realize its Edenic promises ends too.”


Sign in / Sign up

Export Citation Format

Share Document