Art of the American frontier: from the Buffalo Bill Center of the West

2014 ◽  
Vol 51 (10) ◽  
pp. 51-5393-51-5393
2009 ◽  
Vol 78 (1) ◽  
pp. 1-26 ◽  
Author(s):  
David M. Wrobel

This article questions the common assumption that nineteenth-century audiences in America and around the world viewed the American western frontier as an exceptional place, like no other place on earth. Through examination of travel writings by Americans and Europeans who placed the West into a broader global context of developing regions and conquered colonies, we see that nineteenth-century audiences were commonly presented with a globally contextualized West. The article also seeks to broaden the emphasis in post-colonial scholarship on travel writers as agents of empire who commodified, exoticized, and objectified the colonized peoples and places they visited, by suggesting that travel writers were also often among the most virulent critics of empire and its consequences for the colonized.


2020 ◽  
Vol 20 (4) ◽  
pp. 409-428
Author(s):  
Jane Lovell ◽  
Sam Hitchmough

This article explores how the mythic, nineteenth-century American frontier is authenticated by postmodern forms of storytelling. The study examines accounts of William Cody’s extensive 1902–1903 Buffalo Bill’ s Wild West tours in the United Kingdom and the futuristic television series, HBO’s Westworld (2016–), which is set in an android-hosted theme park. Comparing the semiotics of the two examples indicates how over a century apart, the authentication of the myth involves repeating motifs of setting, action and character central to tourist fantasies. The research illustrates how some elements of the myth seem to remain fixed but are negotiable. It is suggested that both examples are versions of a ‘hyper-frontier’, a nostalgic yet progressive, intertextual retelling of the American West and its archetypal characters, characterised by advanced technology. The implications for tourism are that simulating the authenticity of the frontier myth creates doubts in its veracity paradoxically due to its lifelikeness.


2019 ◽  
Author(s):  
PRENTISS INGRAHAM
Keyword(s):  
The West ◽  

2021 ◽  
Vol VII (1) ◽  
pp. 37-60
Author(s):  
Matthew Moss

During the First World War, the Winchester Repeating Arms Company was one of a number of American small arms manufacturers that played a key role in the Entente’s war effort. Winchester provided not only rifles, but also ammunition and munitions materials to all three of the major Allied nations—Britain, France, and Russia. This article was written following a fresh survey of the available documentation from the period which survives in the Winchester archives, now held by the McCracken Library at the Buffalo Bill Center of the West, in Cody, Wyoming. As may be expected, the available documentation is incomplete and thus the conclusions contained herein are necessarily limited. Nonetheless, it is clear from the magnitude of Winchester’s work—both before and after the United States’ entry into the war—that the company played a significant role in arming the Entente powers during a period when European industrial capacity was at its limits. This article explores the scope of the company’s work and identifies several of the key items supplied to their European customers. The author also sheds new light on some of the difficulties and challenges Winchester faced in carrying out their wartime production.


2011 ◽  
Vol 81 (3) ◽  
pp. 46-48
Author(s):  
Jenny Jones
Keyword(s):  
The West ◽  

Author(s):  
Donald Worster

Among the truly outstanding books written in this century about the American frontier—and the shelf of such books is rather small—is Great Basin Kingdom by Leonard J. Arrington, published in 1958. When it appeared, it had only a few rivals either in scholarship or ideas. There was Henry Nash Smith’s work on the West as symbol and myth, Bernard DeVoto’s vigorous account of explorers and imperialists, Paul Morgan’s saga of the Rio Grande valley, Wallace Stegner’s biography of John Wesley Powell, and Walter Prescott Webb’s sweeping survey of Europeans on the global frontier. All of those books appeared in the 1950s within a few years of each other. All were well researched and brilliantly written, in many cases by accomplished novelists whose talents in creating plot and character recruited a wide audience for frontier and western history. Arrington’s study of the Mormon frontier was different from the others in that it was the work of an economic and social historian who was interested in how institutions took shape in one small part of the West and how they differed from those in other parts of the region and in the East. Like the other historians, he gave his story a compelling plot and filled it with arresting, complex characters; but for him the chief interest was how a vague, half-articulated set of ideas had migrated to Utah and taken shape there as a thriving, distinctive economic order. Better than any of his contemporaries, moreover, and better than most of his successors, he understood how powerful the drives of capitalism had been in developing the West, how thoroughly those drives had entered into the region’s overall sense of purpose, and how fiercely the battle had been waged, at least in Utah, to prevent that from happening. As romance, his story may not have been able to compete with DeVoto’s lusty adventurers or Morgan’s brown-robed padres preaching among the Indians, but in its implications it may have been the most important story of all. Arrington’s thesis was that nineteenth-century Mormon Utah was at once an intensely materialistic society, intent on achieving wealth, and a determinedly anti-capitalistic one.


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