scholarly journals Vaidhyanathan, Siva. The Anarchist in the Library: How the Clash between Freedom and Control Is Hacking the Real World and Crashing the System. New York: Basic Books, 2004. 253p. $26 (ISBN 0465089844). LC 2003-26089.

2005 ◽  
Vol 66 (3) ◽  
pp. 286-288 ◽  
Author(s):  
Clifford A. Lynch
Keyword(s):  
New York ◽  
The Real ◽  
2020 ◽  
Author(s):  
Timothy F. Brady ◽  
Viola S. Störmer ◽  
Anna Shafer-Skelton ◽  
Jamal Rodgers Williams ◽  
Angus F. Chapman ◽  
...  

Both visual attention and visual working memory tend to be studied with very simple stimuli and low-level paradigms, designed to allow us to understand the representations and processes in detail, or with fully realistic stimuli that make such precise understanding difficult but are more representative of the real world. In this chapter we argue for an intermediate approach in which visual attention and visual working memory are studied by scaling up from the simplest settings to more complex settings that capture some aspects of the complexity of the real-world, while still remaining in the realm of well-controlled stimuli and well-understood tasks. We believe this approach, which we have been taking in our labs, will allow a more generalizable set of knowledge about visual attention and visual working memory while maintaining the rigor and control that is typical of vision science and psychophysics studies.


2003 ◽  
Vol 36 (12) ◽  
pp. 105-110
Author(s):  
Omar A.A. Orqueda ◽  
José Figueroa ◽  
Osvaldo E. Agamennoni

1971 ◽  
Vol 4 (2) ◽  
pp. 227-231
Author(s):  
Frederick L. Radford

In our society it is not unusual for a Negro to experience a sensation that he does not exist in the real world at all. He seems rather to exist in the nightmarish fantasy of the white American mind as a phantom that the white mind seeks unceasingly, by means both crude and subtle, to lay.(Ralph Ellison, Shadow and Act (New York, 1964), p. 304)It is still true, alas, that to be an American Negro male is also to be a kind of walking phallic symbol: which means that one pays, in one's own personality, for the sexual insecurity of others.(James Baldwin, Nobody Knows My Name (New York, 1961), p. 172)


2009 ◽  
Vol 43 (3) ◽  
pp. 459-476
Author(s):  
PETER SWIRSKI

The enduring success of any roman-à-clef owes to the ghost of the real world lurking, like a palimpsest, behind the storyworld. Barring a few counterfactual twists, Richard Condon's Death of a Politician follows the chequered career of a dead-ringer for Richard Milhous Nixon through the war-scam 1940s, the red scare 1950s, and the freewheeling-dealing 1960s. Square the revisionist drive of Condon's political fiction with the premise of historical veracity, and you may wonder where sober fact ends and fiction begins. How much of Nixon lies in Walter Bodmor Slurrie? How much of Nixon's banker and confidant “Bebe” Rebozo lies in Slurrie's banker and confidant “Kiddo” Cardozo? How much of the Miami mobster Mayer Lansky lies in Cardozo's boss, Miami mobster Abner Danzig? How much of their crass venality and control is the figment of Condon's imagination? Better still, how much is true? In my article I set out to answer all these questions, using Condon's roman-à-clef as a springboard for analysis of salient aspects of the Nixon presidency and of American electoral politics in general.


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