Two Late New Kingdom or Early Third Intermediate Period Hieratic Graffiti in the Temple of Khonsu at Karnak

2013 ◽  
Vol 49 (1) ◽  
pp. 33-44
Author(s):  
Richard Jasnow ◽  
Christina Di Cerbo
Keyword(s):  
New Kingdom ◽  
Intermediate Period ◽  
The Temple ◽  
Third Intermediate Period

scholarly journals Deux fragments de portraits funéraires romains de Deir el-Bahari

2011 ◽  
pp. 259-266
Author(s):  
Zsolt Kiss ◽  
Keyword(s):  
19Th Century ◽  
The Other ◽  
General Context ◽  
Small Fragment ◽  
Intermediate Period ◽  
The Third ◽  
The Temple ◽  
Third Intermediate Period

Two fragments of painted Roman funerary portraits on wooden panels of the Fayum type, discovered in 2001 during a revisiting of the Third Intermediate Period shaft tombs inside the Chapel of Hatshepsut in the Royal Mortuary Cult Complex at the Temple of Hatshepsut in Deir el-Bahari, come from 19th century excavations, hence are without anything but a general context. The pieces are very small—fragment of a robe, sliver of a face with one eye—but in a brilliant analysis of iconography and style Kiss identifies one as a depiction of a female, possibly a priestess of Isis, from the second half of the 2nd century AD, and the other as a male portrait from the 2nd century. The portraits may belong to what some scholars have called “Theban” painted funerary portraits and they must have come from a Roman necropolis in West Thebes, possibly Deir el-Medineh. On any case, they are proof that mummies with painted portraits of the deceased on wooden panels fitted into the cartonnages were not unknown in ancient Thebes.

Sensuous Experience, Performance, and Presence in Third Intermediate Period Biography

2013 ◽  
Author(s):  
Elizabeth Frood
Keyword(s):  
Sacred Space ◽  
Tenth Century ◽  
Sensory Experience ◽  
Intermediate Period ◽  
The Senses ◽  
The Temple ◽  
Third Intermediate Period

This chapter analyses biographical motifs relating to sensory experience found in inscriptions largely belonging to one tenth-century bc priestly family in Thebes. The four statues which are the focus of discussion (CG 42225; CG 42226; CG 42227; CG 42228) were dedicated in the temple precinct of Karnak by Hor IX for himself, his ancestor, and his wife. Inscriptions on a statue of Horakhbit I (CG 42231) from Karnak are also treated. Celebration of the senses is found in these texts through the fusion of biography with themes known from harpists' songs, a genre previously associated with tombs; the use of myrrh, a pleasurable and ritual substance; and through phraseology that mobilises the sensuous geographies of sacred space. Study of how such motifs relate to other features of biography across the statues offers insights into transformations of more than one genre and developments in the function of statues in temples.

scholarly journals Beiträge zur Geschichte der Dritten Zwischenzeit

2017 ◽  
Vol 10 (1) ◽  
pp. 23-42
Author(s):  
Karl Jansen-Winkeln
Keyword(s):  
Intermediate Period ◽  
The Third ◽  
Political Relations ◽  
The Family ◽  
History Of ◽  
Genealogical Data ◽  
The Temple ◽  
Third Intermediate Period

In this short Beiträge three points relevant to the history of the Third Intermediate Period are presented. 1. The genealogical data of the family of the army scribe Nespaqashuty written on a fragmentary block statue from Karnak have hitherto been misunderstood. The owner of the statue is not Nespaqashuty ii, who lived in the time of Siamun, but a grandson of Amenemone i. The statue may have been dedicated by his son Ankhefenkhons during the time of Osorkon ii. 2. According to stela Cairo je 66285, the Libyan chief and later king Shoshenq i had a statue of his father Nimlot A erected in the temple of Abydos. The offering established for this statue is written with a hieroglyph simply to be read ḥtp “offering,” not ẖntj “statue” or qnyt “portable image” as proposed before. 3. Some aspects of the chronological and political relations between Bocchoris and Shabako and their predecessors Tefnakhte and Piankhy are considered as well as the supposed reason for the attack on Bocchoris by “Sabakôn.”

Banganarti and Selib in 2011/2012 and 2013

2016 ◽  
Vol XXIV (1) ◽  
pp. 369-388
Author(s):  
Bogdan Żurawski
Keyword(s):  
Construction Projects ◽  
Dam Construction ◽  
Intermediate Period ◽  
The Third ◽  
The North ◽  
The Temple ◽  
Third Intermediate Period ◽  
Large Building ◽  
The Church

In the course of two seasons in 2012 and 2013 the team carried out excavations and research on the living quarters alongside the fortifications of Banganarti, including a large building (E.1) and eastern tower. Work on the restoration/conservation of the Upper Church progressed according to plan, combined with limited iconographic studies. The team also worked at the sites of Selib and Soniyat. At Selib explorations continued at three locations. The phasing of the church at Selib 1 was established (separate report by A. Cedro), leading to a reconstruction of the plan of the earliest two buildings. A Meroitic(?) structure was investigated at Selib 3 and the Meroitic settlement at Selib 2 continued to be investigated (separate report by R. Hajduga and K. Solarska). A tachymetric plan and magnetic map of the environs of the Kushite temple at Soniyat was accomplished, recording a huge building (palace?) of apparently Kushite date (Napatan ceramic forms and Egyptian imports dating from the Third Intermediate Period) to the north of the temple. A separate team undertook a reconnaissance in regions scheduled to be flooded due to new dam construction projects in Kajbar and Shereik (Third and Fifth cataracts), staying on to record in detail a number of Makurian fortresses.

The tombs of Asasif: archaeological exploration in the 2013/2014 season

2016 ◽  
Vol XXIV (1) ◽  
pp. 239-246 ◽  
Author(s):  
Patryk Chudzik
Keyword(s):  
Archaeological Survey ◽  
Late Period ◽  
Middle Kingdom ◽  
Intermediate Period ◽  
The Third ◽  
The University ◽  
The Temple ◽  
Third Intermediate Period

In the 2013/2014 season, a Polish team from the University of Wrocław started work in the northern part of the Asasif necropolis, near the Temple of Queen Hatshepsut in Deir el-Bahari. An archaeological survey was carried out on the Asasif slope. Cleaning work and documentation were undertaken of the architecture of four private tombs: MMA 509/TT 312, MMA 512, MMA 513/TT 314 and MMA 514, as well as the archaeological finds thereof. The rock-cut tombs belong to a Middle Kingdom necropolis and were all reused in later times, especially in the Third Intermediate Period and Late Period.

The Tomb-Chambers of Iurudef: Preliminary Report on the Saqqâra Excavations, 1985

1986 ◽  
Vol 72 (1) ◽  
pp. 15-22
Author(s):  
Geoffrey T. Martin ◽  
Maarten J. Raven ◽  
David A. Aston
Keyword(s):  
Ceramic Material ◽  
Preliminary Report ◽  
New Kingdom ◽  
Intermediate Period ◽  
The Third ◽  
Preliminary Examination ◽  
Skeletal Material ◽  
Upper Level ◽  
Third Intermediate Period

The tomb chambers of Iurudef are on two levels, both used for burials of the owner and, doubtless, members of his family. Much skeletal material was found, together with an extensive group of funerary furnishings. Associated with the New Kingdom ceramic material were two fragments of Mycenaean stirrup jars, one dated to LH IIIA, 2-B. The chambers in the upper level were, after firing, reused for multiple burials provisionally dated to the Third Intermediate Period. Evidence of some seventy-five burials, including many children, was found and a large deposit of coffins, decorated and undecorated, was recovered, as well as papyrus coffers and reed mat burials. A few of the coffins are inscribed, mostly in pseudo-hieroglyphs and only one with a personal name. Burial gifts found in the coffins included necklaces, amulets, wooden staves, and a curious wooden sceptre. Preliminary examination of the mummies and skeletal material has yielded evidence of various diseases.

The Fate of Sennefer and Senetnay at Karnak Temple and in the Valley of the Kings

1999 ◽  
Vol 85 (1) ◽  
pp. 113-129
Author(s):  
M. Eaton-Krauss
Keyword(s):  
New Kingdom ◽  
Intermediate Period ◽  
The Third ◽  
Third Intermediate Period

The ‘artists' signatures' on the statue of Sennefer and Senetnay are revealed to be additions dating to the Third Intermediate Period. A review of the circumstances of the statue's excavation at Karnak leads to reconsideration of the so-called ‘chapel of Hatshepsut’. Budge's account of the chapel's discovery is shown to be credible after all, with North Karnak proposed as its location. Finally, the arguments for the attribution of a tomb in the Valley of the Kings (KV 42) to Sennefer and his wife are analyzed, and the implications for the Valley's history in the aftermath of the New Kingdom explored.

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