scholarly journals The art of landscape architecture, its development and its application to modern landscape gardening, by Samuel Parsons ... with 48 illustrations.

1915 ◽  
Author(s):  
Samuel Parsons
2013 ◽  
Vol 655-657 ◽  
pp. 1849-1852
Author(s):  
Jian Xin Xiong ◽  
Feng Xiong

In the design of the rise of classical wind hot flashes, how to reference to traditional natural landscape gardening technologies, thinking method and landscape elements, symbol of the new constitutional relations, and into the modern landscape design, and create a new character space, make the classical elements, symbol and modern garden good fusion, create with regional and national characteristics of modern landscape design.


2013 ◽  
Vol 357-360 ◽  
pp. 2005-2009
Author(s):  
Dan Shen ◽  
Yang Liu

On the basis of analyzing the location and scope of the project area and its natural environmental conditions, this design responded to the functional theme, satisfied park functions of sightseeing, visiting, leisure, entertainment, keeping fit, disaster prevention, production and marketing, formed seven design ideas: creating flower plants landscape mainly, promoting the "flower culture", building natural harmony with flowers, birds, insects and fishes, the destination of flowers, the originality of "flower" structural shape, people-centered, the creating concept of idioms on "flowers", and finally finished the design of landscape architecture of the park by the layout method of modern landscape architecture according to the thematic orientation of flower theme park, in order to inherit flower culture by the showing and creative concept of flower plants landscape, to call on the concern and pursue for the future of human residential environment, and to quest the development direction of landscape architecture and human residential environment.


2012 ◽  
Vol 226-228 ◽  
pp. 2394-2397
Author(s):  
Dan Huo ◽  
Fan Yang

Surrealism was the twentieth century’s longest lasting art movement in the arts. It explored the mysterious dream world of the unconscious mind. Surrealist works depict a familiar yet alien world of dreamlike serenity and nightmarish fantasy, and their legacy pervades much of contemporary art, literature, film and popular culture. As a representation of irrational aesthetics in the modern art trends, it is worthwhile to study the influence and construction of Surrealism in modern landscape architecture. This paper explores the modern landscape form under the influence of Surrealism Art by analyzing and investigating the intrinsic relationship between Surrealist Art and the modern landscape architecture. Besides that, this paper described the connection between surreal spirit and Chinese landscape architecture design term metaphor of “presence”.


2021 ◽  
pp. 1-9
Author(s):  
Ashley Scott Kelly ◽  
Xiaoxuan Lu

AbstractThe book’s introduction, Landscape as Development, introduces the distinct positions of critic and planner in development and offers initial justifications for a “critical” practice of ecological planning, as construed by landscape architecture. Landscape architecture has the most substantial ecological mandate among its sister disciplines of architecture and urban planning and has made significant recent historical contributions to development planning, including being the origin of modern landscape ecology and geographic information systems science. In order to become “critical,” landscape architecture, as planning, must recognize the contradictions between urban or economic sustainability and the critical social theory undercurrents in sustainable development. We introduce a working definition of “critical landscape planning” as it is developed throughout the book: A practice of critical landscape planning, routed in landscape architecture, uses multiple forms of sustainability to plan for landscapes engaging in (or encountering) development. The critical landscape planner holds a cultural-technological position and simultaneously applies science to specific site conditions, is critical of that science, and in the process and practice of applying it, refines and deepens the relevant scope of work. This introduction finishes by covering the structure of this book.


Author(s):  
Natalia Sуdorova

The section of descriptive geometry «Perspective» is one of the main subjects in the preparation of students of specialization in «Architecture of buildings and structures». The modern architect needs to know all the subtleties of urban planning, landscape architecture, bulk design, design of small architectural forms, as well as interior design for the successful realization of creative potential and aesthetic perception. A complete picture of the expressive space gives an image constructed according to the rules of the perspective. Modern techniques and methods of visualization on the plane of space-spatial compositions appeared as a result of a long period of their development and perfection. The discovery of precise laws for the construction of a perspective has allowed architects, artists, and designers to more accurately depict on the plane the forms of the visible world. In modern practice it is impossible creation of interiors, articles of way of life without visualization and using of evident image. The complete picture of expressive space (interior, landscape, design) gives an image that is built on the rules of prospect. Proper use of the types and methods of perspective images, drawings of axonometric projections provide the opportunity to apply the knowledge gained to graphically interpret the solution of various tasks in various fields of activity and in many sciences. Using the laws of perspective allows you to enhance the expressiveness of the space, identify and emphasize its depth, or, conversely, visually reduce. Using perspective views is not limited to images on the plane (painting, graphics, relief). It is found in architecture, scenography, landscape gardening. The study of the «Perspective» section allows future professionals to create visual images that carry the maximum informative. And this can be achieved by applying different ways of constructing a perspective, depending on the geometric identity of the object and showing the kind of projected object from the real point of view taking into account the features of visual perception.


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