scholarly journals Human dignity and the future of the voluntary active euthanasia debate in South Africa

2017 ◽  
Vol 107 (5) ◽  
pp. 383
Author(s):  
Donrich W Jordaan
Keyword(s):  
South Africa ◽  
Human Dignity ◽  
Active Euthanasia ◽  
Voluntary Active Euthanasia ◽  
The Future

Transmedia Storytelling Initiatives in Brazilian Media

MedienJournal ◽  
2017 ◽  
Vol 36 (4) ◽  
pp. 51
Author(s):  
Renira Rampazzo Gambarato ◽  
Geane Carvalho Alzamora
Keyword(s):  
South Africa ◽  
Media Development ◽  
Future Scenario ◽  
Transmedia Storytelling ◽  
The Future

This paper is presented in order to understand the evolution of media dynamics in Brazil and investigate its perspectives for the future. Brazil, among the BRICS states (Brazil, Russia, India, China and South Africa), will be our focus. From a mono-mediatic paradigm to a convergent one, Brazil is developing new practices in fictional and non-fictional media. Our hypothesis is that the transmedia storytelling strategy is both the reality – although still timid – and the most probable future scenario for media development in Brazil. We can assert that transmedia storytelling is a tendency. Therefore, we will explore examples of transmedia storytelling initiatives in Brazilian media mainly related to journalism, entertainment, branding and advertisement.

‘VOICES’, MEANING AND ‘HETEROGLOSSIA’ IN PRISONERS OF HOPE (1995)

2017 ◽  
Vol 14 (1) ◽  
pp. 88-96
Author(s):  
Khatija Bibi Khan
Keyword(s):  
South Africa ◽  
Documentary Film ◽  
Textual Analysis ◽  
Political Prisoners ◽  
The Future ◽  
Human Capacity ◽  
Robben Island ◽  
Former Inmates

The documentary film Prisoners of Hope (1995) is a heart-rending account of 1 250 former political prisoners in the notorious Robben Island prison in South Africa. The aim of this article is to explore the narratives of Prisoners of Hope and in the process capture its celebratory mood and reveal the contribution that the prisoners made towards the realisation of a free South Africa. The documentary features interviews with Nelson Rolihlahla Mandela, Ahmed Kathrada and other former inmates as they recall and recount the atrocities perpetrated by defenders of the apartheid system and debate the future of South Africa with its ‘new’ political dispensation led by blacks. A textual analysis of Prisoners of Hope will enable one to explore the human capacity to resist, commit oneself to a single goal and live beyond the horrors and traumas of an oppressive and dehumanising system.

Aid-in-Dying: Should We Decriminalize Physician-Assisted Suicide and Physician-Committed Euthanasia?

1992 ◽  
Vol 18 (4) ◽  
pp. 369-394 ◽  
Author(s):  
Maria T. CeloCruz
Keyword(s):  
Medical Journal ◽  
Assisted Suicide ◽  
Active Euthanasia ◽  
Physician Assisted Suicide ◽  
Journal Articles ◽  
News Stories ◽  
Voluntary Active Euthanasia ◽  
Aid In Dying

Recent news stories, medical journal articles, and two state voter referenda have publicized physicians’ providing their patients with aid-in-dying. This Note distinguishes two components of aid-in-dying: physician-assisted suicide and physiciancommitted voluntary active euthanasia. The Note traces these components’ distinct historical and legal treatments and critically examines arguments for and against both types of action. This Note concludes that aid-in-dying measures should limit legalization initiatives to physician-assisted suicide and should not embrace physician-committed voluntary active euthanasia.

Lofs Wife Syndrome and Double Publics in South Africa

PMLA ◽  
2016 ◽  
Vol 131 (5) ◽  
pp. 1452-1461 ◽  
Author(s):  
Grace A. Musila
Keyword(s):  
South Africa ◽  
Dominant Class ◽  
The Real ◽  
Jean Paul ◽  
The Future ◽  
Privileged Class

In a Compelling Reading of Sol Plaatje's Native Life in South Africa, Bhekizizwe Peterson Remarks on the Work's Inscription of multiple imagined readers with different investments in the narrative (79). Quoting from Jean-Paul Sartre's reflections on the intricacies of addressing fractured, and sometimes future, publics, Peterson writes:[T]he works of writers who find themselves on the “margin of the privileged class” contain a “double simultaneous postulation,” a consequence of the “fracture” in the “actual public” in which their art is produced and consumed. Because the “real public” consists largely of the conservative forces that compose the dominant class and ideology, the marginal writer is compelled to address “the progressive forces, or the virtual public” even if “the oppressed classes have neither the leisure nor the taste for reading.” In engaging the future and its virtual public—“an emptiness to be filled in, an aspiration”—the writing exceeds its actual limits and extends itself step by step to the infinite. (81)

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