scholarly journals La forme de la chose-à‑venir : les aventures du langage de Wilfred Bion et de Serge Doubrovsky

2021 ◽  
Vol 30 (1) ◽  
pp. 117
Author(s):  
Inês Faro
Keyword(s):  
Wilfred Bion ◽  
Serge Doubrovsky

Wilfred Bion: An Original

1996 ◽  
Vol 41 (4) ◽  
pp. 332-334
Author(s):  
Joseph Reppen
Keyword(s):  
Wilfred Bion

Hyperaktivität und Erregungsüberschüsse

2020 ◽  
Author(s):  
Juliane Hummitzsch
Keyword(s):  
Sigmund Freud ◽  
Wilfred Bion

Warum gelingt es Kindern mit ADHS nicht, ihre Erregung produktiv zu nutzen? Unter anderem dieser Frage geht Juliane Hummitzsch nach und macht sich für eine triebtheoretische Lesart von ADHS stark. Über ihre Lektüre von Sigmund Freud, Wilfred Bion und André Green trägt sie dazu bei, die motorisch und in ihrer Aufmerksamkeit unruhigen Kinder differenziert zu verstehen. Die Autorin betont dabei die Bedeutung der Sexualität, der Symbolisierung und des unbewussten Sinns psychischer Symptomatiken, auch für die sogenannten unrepräsentierten Zustände. Die Erregung der betroffenen Kinder kann so als leibliche Verankerung der Affekte betrachtet werden. Juliane Hummitzsch bietet einen umfassenden Überblick über die psychoanalytische ADHS-Debatte im deutschen Sprachraum und regt dazu an, sich damit auseinanderzusetzen, was die Psychoanalyse als Lehre vom Unbewussten im Unterschied zu anderen Wissenschaften vom Menschen charakterisiert und überzeugend macht.

Représentations de l’absence et du manque : de La Dispersion au Livre brisé de Serge Doubrovsky

2011 ◽  
pp. 111-121
Author(s):  
Nurit Levy
Keyword(s):  
World War Ii ◽  
French Literature ◽  
World War ◽  
Indelible Mark ◽  
Contemporary French Literature ◽  
Post Modernism ◽  
The Creation ◽  
Serge Doubrovsky

Author and academic, Serge Doubrovsky is an important figure in contemporary French literature. His numerous publications foretell the emergence of a new literary concept, positioning him in the domain of post-modernism with the emergence of auto-fiction. From The Dispersion to The Broken Book, the auto-fiction unfolds in a jerky narrative while the genesis of the work revolves around a profound sense of lack and absence that the writer tries to fill through his writing. The experience of World War II left a life long indelible mark on the writer’s own identity and brings forth the creation of this hybrid autobiography that aims at tearing down ge-neric and literary boundaries. Letters and words are used to confront what is missing in his life in a transgressing style that describes the violence of this experience. In this way, Doubrovsky leaves a trace of his existence, transforming his life into a novel – a work of fiction – and by giving space to imagination when telling his own story.

Wariactwo

2019 ◽  
Author(s):  
Mignon Nixon
Keyword(s):  
Wilfred Bion

Wilfred Bion, pionier psychoanalizy grup w połowie XX wieku, określił grupę jako repozytorium szalonych części nas samych. Grupa pomaga nam oswajać nasze szaleństwo, ale może też je wyolbrzymiać, ożywiając dziecięce trendy, a grupa kierująca się lękiem zazwyczaj wybiera swojego najbardziej szalonego członka na lidera. Szalony przywódca to ktoś na wzór króla-dziecka, awatar naszej dziecięcej przeszłości, który zezwala na odejście od rzeczywistości, a w szczególności na zanegowanie złości. Oznacza to, że wariactwo szalonego prezydenta zwalnia nas z odpowiedzialności za żałobę. Dotknięci maniakalną negacją rzeczywistości - realia zmian klimatycznych, broń atomowa, cierpienie innych - Nixon twierdzi, że żyjemy również w czasach masowej melancholii. Jej zdaniem, zmierzenie się z tą psychiczną rzeczywistością melancholii jest niezbędne dla naszego przetrwania, a pisarze, nauczyciele i artyści muszą pomóc przekształcić ją w twórczy opór.

Un homme de passage by Serge Doubrovsky

2012 ◽  
Vol 85 (6) ◽  
pp. 1197-1198
Author(s):  
Cécile Hanania
Keyword(s):  
Serge Doubrovsky

Book Review: The Clinical Thinking of Wilfred Bion

2000 ◽  
Vol 6 (2) ◽  
pp. 243-250 ◽  
Author(s):  
Robert M. Young
Keyword(s):  
Wilfred Bion ◽  
Clinical Thinking

Loose Coordinations: Theater and Thinking in Gertrude Stein

2012 ◽  
Vol 25 (3) ◽  
pp. 447-467 ◽  
Author(s):  
Adam Frank
Keyword(s):  
Mass Media ◽  
Group Dynamics ◽  
William James ◽  
Gertrude Stein ◽  
Wilfred Bion ◽  
New Knowledge

ArgumentThis essay offers a reading of Gertrude Stein's lecture “Plays” (1934) alongside the work of several thinkers on emotion, William James, Silvan Tomkins, and Wilfred Bion. The problem of what Stein calls “emotional syncopation” at the theater is understood in the context of James’ theory of emotion. The essay proceeds to unfold Stein's emphasis on varieties of excitement by way of Silvan Tomkins’ writing. It then turns to Wilfred Bion's theory of thinking to argue that the main problem with theater, for Stein, is the difficulty it poses to learning or arriving at genuinely new knowledge. The essay concludes with the suggestion that Stein's plays address the further difficulties of analyzing group dynamics or numbers of individuals, especially in the context of modernist mass media.

scholarly journals L’autofiction, un genre performatif

Symbolon ◽  
2021 ◽  
Vol 22 (1) ◽  
pp. 167-183
Author(s):  
Eugénie Péron-Douté
Keyword(s):  
Comparative Analysis ◽  
21St Century ◽  
Serge Doubrovsky

The purpose of this paper is to comment on the emergence of autofiction genre and its meaning. Beginning with a comparative analysis of this genre and the autobiographical one we will show the lack a stability of its definition since the 1970’s until dawn of the 21st century. This neologism, created by Serge Doubrovsky in 1969 shall be rebuilt by the author himself in 1977. Doubrovsky shall hence define that concept for a period of twenty years without achieving to fix all the issues concerning that very word. Beyond the more or less accepted combination of deconstructed narration, split subject and links to the psychoanalysis, autofiction genre appears to contain a performative potential. We will question about how and in which way autofiction parts itself from autobiography, showing it is from the beginning intrinsically performative

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