A Guide to Evaluating Marine and Family Division Programs, Services, and Capabilities

10.7249/tl264 ◽  
2021 ◽  
Keyword(s):  
Zhu Xi ◽  
2019 ◽  
pp. 93-115
Author(s):  
Beverly Bossler

While Zhu Xi developed complex philosophical theories, his ultimate objective was the moral transformation of society. This chapter concerns his directives and exhortations to people in his jurisdiction, promulgated during his stints as a local official, as well as in his letters to disciples and friends addressing concrete issues in family relations, and in his funerary biographies (especially for women), where he exhibited considerable flexibility and accommodation to social custom. Zhu’s official directives include general admonishments to behave well and be diligent in agriculture, as well as specific warnings about officials cheating commoners, illegal family division, and unorthodox religious practices. Many of the texts in this chapter deal with family issues. Like his writings on society, Zhu’s writings on families were largely prescriptive: families needed to be properly “regulated” and interactions among family members guided by ritual.


2002 ◽  
Vol 66 (5) ◽  
pp. 391-393
Author(s):  
Annabelle James
Keyword(s):  

2012 ◽  
Vol 64 (1) ◽  
pp. 29-40 ◽  
Author(s):  
Keverne Smith

This article emphasizes the importance of studies which look at changes and similarities in mourning over time. It argues that relevant evidence can come from creative fiction as well as from other sources, provided that this is analyzed rigorously in terms of structures and patterns. As an illustration of this approach, it examines the evidence in recurring features of Shakespeare's plays that his writing was deeply and lastingly affected by the death of his only son Hamnet, a twin, at the age of 11, and identifies five motifs which support this interpretation: the resurrected child or sibling; androgynous and twin-like figures; a growing emphasis on father-daughter relationships; paternal guilt; family division and reunion. The article suggests that this approach could be applied to other instances where a body of creative writing shows traces of overt or buried grief.


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