careful observation
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2022 ◽  
Vol 30 (4) ◽  
pp. 95
Author(s):  
Miriam Piedade Mansur Andrade

Resumo: Os textos de Machado de Assis e principalmente seus romances estabelecem muitos diálogos com diferentes escritores e tradições. Entretanto, a forma que Machado de Assis escolheu para se referir ao poeta inglês do século XVII, John Milton, no seu romance, Memórias póstumas de Brás Cubas, merece uma atenção cuidadosa. Nesse romance, o autor brasileiro também se refere a Milton, mas não de maneira direta ou nomeada; ao contrário, as alusões a Milton são indiretas, criando uma composição textual com o poeta inglês e o convidando, de maneira ausente, a também fazer parte da narrativa. Machado de Assis, na elaboração dos delírios e deleites de Brás Cubas, reflete sobre seu ato de composição e estabelece diálogos também com o poeta inglês, como uma tentativa de proliferar sentidos da obra de Milton, mais especificamente Paradise Lost, no contexto literário brasileiro. Esses diálogos serão analisados com base na ideia de dialogismo de Mikhail Bakhtin (1973, p. 39) que é constitutivo da intertextualidade e desvia o foco das noções de autoria, causalidade e finalidade, e o “texto passa a ser visto como uma absorção de e uma resposta a um outro texto”. Assim, é pertinente dizer que Machado de Assis absorve elementos de composição do universo miltoniano e responde a eles nas Memórias póstumas de Brás Cubas, revivendo, em sua criação literária, suas experiências como leitor desse poeta inglês.Palavras-chave: Machado de Assis; Brás Cubas; dialogue; Milton.Abstract: The texts of Machado de Assis and mainly his novels established many dialogues with different writers and traditions. However, the way Machado de Assis chose to refer to the English poet of the seventeenth century, John Milton, on his Posthumous Memoirs of Brás Cubas, demands a careful observation. In this novel, the Brazilian writer refers to Milton but not in a direct manner; on the contrary, the allusions to Milton are indirect, creating a textual composition within the English poet and inviting him, in an absent way, to be also part of the narrative. It seems that Machado de Assis, in the elaboration of Brás Cubas’s deliriums and delights, reflects upon his act of composition and establishes a textual dialogue with the English poet, as an attempt to proliferate the meanings of Milton’s oeuvre, more specifically Paradise Lost, in the Brazilian literary context. These dialogues will be analyzed based on Mikhail Bakhtin’s studies on the idea of dialogism, which is a constituent of the concept of intertextuality and deviates the focus on the notions of authorship, causality and finality, with writing working “as a reading of the anterior literary corpus and the text as an absorption of and reply to another text” (1973, p. 39). Thus, it is possible to say that Machado de Assis absorbs some elements of composition from Milton’s creative universe and answers him on his Posthumous Memoirs of Brás Cubas, reviving them in his literary creation and in his experiences as a reader of the English poet.Keywords: Machado de Assis; Brás Cubas; dialogue; Milton.


2021 ◽  
Vol 2 ◽  
pp. 39-65
Author(s):  
Livia Bevilacqua

This article aims to a preliminary reassessment of the silk veil preserved in the Treasury of Trieste cathedral. The cloth is unparalleled in Byzantine as well in western medieval art, in that it is painted with tempera on both sides. It depicts a youthful martyr in a court costume, and bears an inscription that identifies the saint as St. Just. Since its alleged recovery from a reliquary in the early nineteenth century, the cloth has been often addressed by the scholars, who ascribed it either to a Byzantine or to a local master and dated it between the eleventh and the fourteenth century. Despite being referred to in several more general studies, it has been rarely considered individually. In this paper I address the many questions that the Trieste veil raises, including problems of chronology, provenance, function, and iconography. After careful observation and based on both primary sources and visual evidence, I argue that it was produced in Byzantium, possibly at an early date, to serve as a liturgical implement; later, it was brought to the West, where the saint was given a new identity and the cloth was reused as a banner after being painted on the reverse.


FORUM ◽  
2021 ◽  
Vol 63 (3) ◽  
pp. 7-16
Author(s):  
Emily Rowe ◽  
Jenifer Smith

The public emphasis on 'lost learning' and hapless child victims fails to acknowledge children's drive to learn and misconceives the role of the teacher. Through direct conversations and close observations Emily Rowe, class teacher, and Jeni Smith, school governor, worked together to learn from year 5 and 6 children about their experiences of learning during the pandemic and to reflect on what children learn at home with the adults there and alone, and on the role that teachers play in children's intellectual growth. They reflect on the centrality of listening and careful observation, on children's resilience, ambition and intellectual engagement, and the significance of a community of learners in a primary school. The paper ends with a compilation of all that the children listed they had learned at home, at school and on-line during the time of lockdown.


2021 ◽  
Vol 5 (2) ◽  
pp. 45-58
Author(s):  
Arba’iyah Ab. Aziz ◽  

The Malays have long utilized natural resources to meet their daily basic needs. Natural resources serve as the basis not only in nutrition, medicine, and equipment but also the basis of inspiration in Malay art. It begins with careful observation and reasoning and then the natural resources are utilized wisely by the Malays. Since most of them live in villages, life is well integrated with the rural environment such as plants, and other various natural elements. With the concept of hometown, they make nature to fulfill their economic and social functions and, also to fill the gap between ethical and aesthetical values, for cultural development. This paper discusses the concept of mimesis or imitation by Malay artisans in the production of art and design motifs. The objective of this study was to document the concept of mimesis in the production of Malay art. There are many art and design motifs that are sourced from nature. It is based on the process of imitation is found in songket weaving motifs, weaving, batik, wood carving, telepuk and others. The research of this study is based on observation methods and interviews with individuals and cultural expert figures. It is hoped that every Malay art will continue to be appreciated and understood as a rich artistic heritage with its values and philosophy that support the community and the culture. The essence of such methodology or procedure is to highlight nature as the source of aspiration and inspiration of art treasures that will ensure the greatness of the Malay art universally.


Religions ◽  
2021 ◽  
Vol 12 (9) ◽  
pp. 690
Author(s):  
Shuishan Yu

This article explores the Buddhist ritual and architectural conventions that were incorporated into the Chinese funeral architecture during the medieval period from the 3rd to the 13th centuries. A careful observation of some key types of sacred architectural forms from ancient East Asia, for instance, pagoda, lingtai, and hunping, reviews fundamental similarities in their form and structure. Applying translation theory rather than the influence and Sinicization model to analyze the impact of Buddhism on Chinese funeral architecture, this article offers a comparative study of the historical contexts from which certain architectural types and imageries were produced. It argues that there was an intertwined mutual translation of formal and ritual conventions between Buddhist and Chinese funeral architecture, which had played a significant role in the formations of both architectural traditions in Medieval China.


Author(s):  
Pranavi Pendyala ◽  
Aviva Munshi ◽  
Anoushka Mehra

Detecting the driver's drowsiness in a consistent and confident manner is a difficult job because it necessitates careful observation of facial behaviour such as eye-closure, blinking, and yawning. It's much more difficult to deal with when they're wearing sunglasses or a scarf, as seen in the data collection for this competition. A drowsy person makes a variety of facial gestures, such as quick and repetitive blinking, shaking their heads, and yawning often. Drivers' drowsiness levels are commonly determined by assessing their abnormal behaviours using computerised, nonintrusive behavioural approaches. Using computer vision techniques to track a driver's sleepiness in a non-invasive manner. The aim of this paper is to calculate the current behaviour of the driver's eyes, which is visualised by the camera, so that we can check the driver's drowsiness. We present a drowsiness detection framework that uses Python, OpenCV, and Keras to notify the driver when he feels sleepy. We will use OpenCV to gather images from a webcam and feed them into a Deep Learning model that will classify whether the person's eyes are "Open" or "Closed" in this article.


Author(s):  
Seydi Kiraz

The notes kept during the pilgrimage journeys and the observations, impressions and determinations of the authors provided the formation of the type called pilgrimage travelnames. Many examples of this species have been written both in and outside the Anatolian area. Tatar Turks are one of the societies in which writing works with pilgrimage content outside Anatolia has turned into a literary tradition. In this study, the Haj Seyâhatnâma of Musa Jarullah, a Tatar thinker, will be discussed. The manuscript is registered at 06 Mil Yz A 5924 in the National Library Manuscripts Collection. Seyâhatnâma is located on the sheets 1a-28a of a notebook, all of which are 66 sheets. The countries and events on the route are presented with careful observation in the sea route. In the work, many countries such as Saudi Arabia, Yemen, Egypt, England, Russia, India, China, especially Turkey; important figures such as Ataturk, Ibn Saud, Muhammed Asadullah, Karim Khakimov, Ferdinand de Lesseps; important observations about the Suez Canal, the Istanbul Strait, the Maghrib Strait and the Cenup Strait and the holy lands are included.


Author(s):  
Mohammed Yousif

Autism is a neurological disease that affects people’s social, communicational and mental abilities. This makes it difficult for them to express themselves and integrate seamlessly with other people and society as a whole. With the number of autism cases steadily increasing, researchers and caretakers alike around the world are working on finding a teaching technique to help with the therapy and education of autistic children. Due to the number of resources and expertise that are required for this operation, it has proven to be quite difficult to find such a teaching technique. The results of our literature survey also show that the USA has the most research in this field, followed by England and Spain. The aim of this paper is to study the interaction of autistic children with the humanoid robot NAO. Therefore, we developed different interactive activities and materials for testing the children’s attitude and engagement.  After careful observation and experimenting, it was found that the children were much more engaged and excited during the lessons that involved the robot. This can be attributed to its simple and toy-like nature, which makes the lessons more fun and exciting. The children were also more responsive, absorbed more information overall and were even willing to learn new subjects that they previously avoided.


2021 ◽  
pp. 129-133
Author(s):  
Maria L. Adams ◽  
Vasilios F. Diakonis ◽  
Robert J. Weinstock

We describe a case of radial extension and its management during femtosecond laser-assisted cataract surgery (FLACS) in a patient with intumescent cataracts. Radial extension was observed after injection of trypan blue into the anterior chamber. Management of the extension was achieved by separation of adhesions between the incomplete capsulotomy, along with manual completion at the areas of extensions. Careful observation during FLACS capsulotomy is advised in cases of intumescent cataracts due to the release of cortex into the anterior chamber which may interfere with the delivery of the laser treatment resulting in incomplete capsulotomy patterns. Furthermore, trypan blue staining is essential to identify possible incomplete capsulotomy patterns and extensions. The Argentinian flag sign may occur after femtosecond laser-assisted capsulotomy in cases of intumescent cataracts. Proper identification of incomplete capsulotomy patterns and radial extensions should be managed with careful manual completion of the capsulotomy.


2021 ◽  
Vol 69 (2) ◽  
pp. 257-268
Author(s):  
Szalai Béla

Very few representations appeared of the capital of the Hungarian Kingdom, Buda seized by the Ottomans in 1541, over the 16th century. Until the unsuccessful attempt to recapture Buda in 1598 only eight engravings are known. The siege of Buda as a significant event kindled interest and reports appeared all over Europe, but only eight pictorial reports – or engravings – were printed. The article briefly describes all depictions printed until 1598 and those of the siege. The latter were unfortunately re-moulding of earlier depictions and conveyed more or less fictitious vedutas, with one exception. The exception is the print based on imperial master builder Ahasverus Rottenberger’s on-the-spot survey drawings the whereabouts of which was unknown for nearly a hundred years. The writing discusses the search for the artistically mediocre engraving of Rottenberger, before evaluating it from diverse viewpoints, e.g. of local history. Importantly, this is the first print to correctly represent the topographic features of Buda, thanks to the careful observation.


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