A Study on Chinese-English Translation Standard of Landscape Public Signs Along the "Road of Tang Poetry" in Eastern Zhejiang Province

Based on the development background of the "Road of Tang Poetry" in eastern Zhejiang, this paper discusses the influence of the non-standard Chinese-English translation of public signs along the "Road of Tang Poetry" on the development of the "Road of Tang Poetry," which to some extent hinders the acceptance and understanding of foreigners and affects the international dissemination of Chinese culture. Therefore, it is urgent to regulate the translation of public signs in scenic spots. This research studies the theory and practice of translating public signs from the perspective of translation norms discuss the problems existing in translating public signs in the vital scenic spots of "Road of Tang poetry" in eastern Zhejiang Province. This research also puts forward corresponding translation principles and strategies, hope that relevant developments can pay attention to and standardize the translation of public signs in scenic spots, to promote the promoting role of the translation of public signs in the construction of the "Road of Tang poetry" in eastern Zhejiang, and deepen the level of the foreign communication and exchanges.

What Does Tang Poetry Mean to Contemporary Chinese Writers?

Examining how contemporary poets raised in China are looking at classical Chinese poetry from the Tang—in particular, the poetry and the figure of Li Bai 李白 (701–762)—this article questions the epistemological divide, common to scholarship, between premodern and modern Chinese poetry. The texts come from Shenqing shi 深情史 (Histories of Affection) by Liu Liduo 劉麗朵 (1979–); The Banished Immortal, Chinese-American poet and novelist Ha Jin's 哈金 (1956–) biography of Li Bai; the book-length poem-sequence Tang 唐, by Yi Sha 伊沙 (1966–); and poet Xi Chuan's 西川 (1963–) scholarly book Tang shi de dufa 唐詩的讀法 (Reading Tang Poetry). The author contends not only that these writers' dealings with Tang poetry make it part of a still-living tradition but also that such engagement offers a way to understand the dynamic, rather than static, canonicity of Tang poetry.