Queerly, Hopelessly, Precariously

This paper reimagines a queer politics of globalization through three contemporary Taiwanese films. Lesbian Factory (2010) and Rainbow Popcorn (2013) were made by labor activists and focused on a landmark labor protest organized by Filipina migrant workers in Taiwan. However, during the filming process, the documentaries inadvertently turn into productions about migration, workers' protests, and new forms of queer intimacy and relationality forged among people who are on the move. Thanatos, Drunk (2015) is a feature film that centers on those who are forced to move, those without mobility, and those who have failed to move even when doing so is necessary for one's survival. Whether queer or straight in the film, everyone is on a downward spiral in life due to the neoliberal restructuring of the global economy. Drawing from queer theories of negativity, affect, and relationality, this paper rethinks queerness in regard to migration by establishing connections between queers' and migrants' negative relation to space and movement. Further, it cautions against the rhetoric of occupation in the Occupy Wall Street movement. It critiques the tendency to valorize mobility, capacity, and the logic of spatial expansion embedded in that of “occupy,” as well as the same logic that underlines contemporary Chinese nationalist and triumphalist thinking dominating large parts of Chinese and Sinophone locations. Ultimately, this paper is a critical intervention from the position of geopolitical and academic marginality. It reimagines the global politics of resistance against neoliberal economic order, the resurgence of nationalism, and imperialist ambition by placing subjects of resistance on the other side of mobility, spatial expansion, hope, and capacity—where new forms of intimacy and relationality also emerge.

Review of Queer in Translation: Sexual Politics under Neoliberal Islam by Evren Savcı (Duke University Press)

Evren Savcı’s Queer in Translation presents an alternative, both in methodology and analysis, to the Orientalist analytical frameworks typical of Western scholars studying queer politics in Middle Eastern regions. Specifically, Savcı analyzes the rise of Turkey’s Adalet ve Kalınma Partisi (AKP; in English, the Justice and Development Party) to show how the AKP’s increased securitization and oppression of marginalized communities—including, but not limited to, Turkey’s LGBTQ community—is the result of the marriage of Islam and neoliberalism. Savci produces compelling case studies that reveal how Turkey’s weaponization of religion, morality, and capitalism serve to secure the nation against dissenting citizens. From the discourse surrounding the complicated murder of a gay Kurdish man, to unlikely solidarities between religious hijabi women and LGBTQ activists, and the public commons that became Gezi Park, Savci’s critical translation methods reveal how the language to construct and resist securitization in Turkey are far more nuanced than simple attribution to solely Islamist extremism or Western neoliberal influence.

How To Refuse Research from The Ruins of Its Own Production

Writing in 1965, Mario Tronti’s claim was that the greatest power of the working class is refusal: the refusal of work, the refusal of capitalist development, and the refusal to bargain within a capitalist framework. One can see how this "strategy of refusal" has been utilised in all sorts of instances by social movements, but how does this play out now in the context of wider struggles over autonomy today – not just in terms of labour power and class struggles; but also intersectional feminism and queer politics; race and decolonialism, geopolitics, populism, environmental concerns; and the current pandemic? In what ways does a refusal of production manifest itself in contemporary artistic, political, social, cultural, or other movements? And, how might a refusal of certain forms of production come together with a politics of care and "social closeness" – also when thinking of how research itself might be refused?