Visual autoethnography and international security: Insights from the Korean DMZ

The purpose of this article is to introduce and explore the political potential of visual autoethnography. I do so through my experience of working as a Swiss Army officer in the Korean Demilitarized Zone (DMZ). Drawing on my own photographs I examine how an appreciation of everyday aesthetic sensibilities can open up new ways of thinking about security dilemmas. I argue that visual autoethnography can be insightful not because it offers better or even authentic views – it cannot – but because it has the potential to reveal how prevailing political discourses are so widely rehearsed and accepted that we no longer see their partial, political, and often problematic nature. I illustrate this potential in two ways: (1) how a self-reflective engagement with my own photographs of the DMZ reveals the deeply entrenched role of militarised masculinities; (2) how my positionality and my photographs of everyday life in North Korea show that prevailing security discourses are highly particular and biased, even though they are used to justify seemingly objective policy decisions.

My dirty story about gardening: a visual autoethnography

Purpose – The purpose of this paper is to promote visual autoethnography as a tool to explore and represent the captive qualities associated with gardening. Design/methodology/approach – Visual autoethnography is presented as a method to explore the personal meaning of gardening. Visual autoethnography allows the writer to enmesh narratives of memory, sensual experiences and the self with images that amplify personal meaning. Findings – The garden is a sensual landscape offering potential for personal expression and the vagaries of the human spirit. Despite its prominence as a leading leisure time activity in Aotearoa New Zealand gardening has received little serious scrutiny. What does this tell us? Is there a need to restore meaning or at least bring meaning to the fore of garden conversations be they personal, agreed, shared, reinforced or not? Originality/value – While research into gardens and gardening has largely focussed on the other, this paper explores meaning through the self. The meaning of gardening is presented as a highly reflexive endeavor. Images allow the reader to migrate to the ethnographic site and share the ineffable properties that can be associated with what Francis Bacon once described as the purest of human pleasures.