It is no longer the fashion to imagine Herodotos a liar when he tells marvellous stories, for some of his most extraordinary statements have long since been shown to contain at least a substantial measure of truth. It is perhaps not sufficiently realized, however, that on occasion he misleads his readers and himself by too much critical unbelief in his materials and consequent application of the crude methods of mythological investigation then current. In other words, he often rationalizes in the only way then possible, superficially altering the story so as to rid himself of the incredible details, or at all events, as I think, attributing to the actors motives which a somewhat drily rational mind could understand and approve or condemn. It is of course well known that at least the former method was a commonplace of the sophists, whose influence on Herodotos is manifest and widespread; it has been said, indeed, that it is much older than they and characteristically Ionic. L. Radermacher finds traces of it in the Odyssey itself and adds that, although we can sometimes catch the rationalizer (or Fälscher, as he impolitely calls him) at work, we cannot be sure of always doing so and ‘müssen annehmen, dass der Glaube an die Geschichtlichkeit ihrer Sage manche griechischen Autoren früh verführt hat, sie geschichtlicher zu erzählen als eigentlich erlaubt war’. This is a true and useful statement. Modern criticism has long learned to set aside ancient allegorizations of myths, about which I need say nothing, for the subject has been repeatedly and well handled by my colleague, Dr. J. Tate; it has often, however, confused ancient interpretation of myth with ancient criticism of saga. Euhemerism indeed is usually recognized for what it is, although even this is not always so; but uixere inepti ante Euhemerum multi, and their efforts are by no means always distinguished either from allegorizing or from real sagas. For an example of the former confusion I may refer to Stallbaum's note on Plato, Phaedrus, 29 C-D, where the reader is referred to the account given by Lobeck of the rise and growth of allegorization. But Plato says nothing at all of allegories in this passage. He quotes, with ironical admiration of its ‘wisdom’, a version of the story of Boreas and Oreithyia according to which she. was knocked off the Areiopagos, or some other place, by a strong north wind, and so was killed and consequently said to have been carried away by Boreas. He adds that it would be a laborious and dismal business to go through all the tales of wonder in that way, rationalizing the Hippocentaurs, Gorgons, Chimaira, Pegasos, and the rest out of existence; a wise saying which was uttered in vain for Palaiphatos and his kind. However, most moderns know a myth from a saga and an allegory from a crude rationalization which accepts the story as true except for the incredibilities and is quite ready to believe, for instance, in Romulus if we will but postulate that he was not snatched up to heaven but murdered and his body hidden. There is a much more subtle snare, consisting of a story which, although rationalized, is well told, and Herodotos in this respect can be a notable offender, for he never tells a story ill.
Il cerilo di Alcmane tra Aristofane, Antigono, Eufronio e Didimo