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2020 ◽  
Author(s):  
Yanfang Ren ◽  
Yifang Xu ◽  
Yuanyuan Wang ◽  
Yongjie Jiang ◽  
Jianguo Wen

The Accepted Manuscript version of this article (published on 15 May 2020) was withdrawn on 21 September 2020 at the request of the authors as they stated that the study is incomplete. In addition, upon acceptance, the Editorial Office were contacted by the authors to change the authorship of the accepted paper; this was questioned by the Editorial Office and was followed by the author request to withdraw the paper.


2017 ◽  
Vol 37 (1) ◽  
Author(s):  
Andrew Marcum

No abstract available.© 2017 Marcum. All rights reserved. By author request, this article is excluded from Creative Commons licensing.


2016 ◽  
Vol 36 (4) ◽  
Author(s):  
Emilia Nielsen

In this hybrid critical-creative paper, I explore disability poetry and crip poetics via my manuscript, Body Work. Poetry provides a site to explore crip experience because, as Petra Kuppers (2007) argues, "poems and their performance of meaning clasp something of crip culture's force" (p. 103). Here, the "instability of language" (Kuppers, p. 89) provides a way of understanding chronic illnesses as "dissonant disabilities" (Driedger & Owen, 2008). In placing chronic illness in a disability studies framework, and via crip theory, which critiques the common sense naturalness of ability and heterosexuality, I investigate how chronic illness demands ways of understanding that intelligently address mind and body unpredictability. In close, I will revisit Robert McRuer's notion of "critically crip" arguing that any claim to crip be enacted with intentional criticality.© 2016 Nielsen. All rights reserved. By author request, this article is excluded from Creative Commons licensing. 


2016 ◽  
Vol 36 (4) ◽  
Author(s):  
Sonya Freeman Loftis

This article examines Flannery O'Connor's depiction of mental disability in The Violent Bear It Away. O'Connor's work presents a particularly rich and complex intellectual space for examining stereotypes connecting mental disability with religious faith. Religious difference and disabled difference are presented as symbolically inseparable in The Violent Bear It Away, a conflation that may encourage negative stereotypes regarding both faith and madness. In the larger scope of the novel, O'Connor uses Tarwater's ambiguous status as both a mad man and a man of faith to question modern psychology and the mental healthcare system: just as readers are implicitly asked to "diagnose" her mad characters (but are set up to fail by the novel's deliberate indeterminacy), the psychologist character Rayber also struggles (and fails) to diagnose the other characters around him. In the end, however, O'Connor's critique of the mental healthcare system may be undermined by her use of mental disability as a symbol to convey religious mystery.© 2016 Loftis. All rights reserved. By author request, this article is excluded from Creative Commons licensing.


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