Walking as a methodological approach has developed within anthropological, literary, sociological, and ethnographic research, and more recently in ethno-biographic studies, but has not greatly crossed into history or art history. In this article, using the metaphor of the “constellation,” we offer a transdisciplinary methodology to complicate Euro-western renaissance humanism, in our exploration of the gendered, temporal, spatial, and cultural aspects of renaissance Florence, through a walk in the “Boboli gardens” in the footsteps of Poliphilo. Walking helps us to form a sense of our past, present, and future, and in walking, we gain ground in the “art of paying attention” (Ingold). In our walk, key emerging themes are the gardens as a metaphor for visual culture; the phenomenological, temporal, and spatial transgression of gender norms and their demarcated thresholds; gardens as stimulating cognition and the sensorial; and the developing art of garden aesthetics and the architectonic.
EL AMOR, LA BELLEZA Y EL ‘ETERNO FEMENINO’ EN EL FAUSTO DE GOETHE A TRAVÉS DE LOS HEROICOS FURORES DE GIORDANO BRUNO Y LA HYPNEROTOMACHIA POLIPHILI DE COLONNA
